Master Spy (1963)
5/10
Average Cold War spy drama
8 October 2020
The film starts promisingly enough, with what we can only assume is a Russian scientist, Boris Turganov, played by Stephen Murray successfully seeking political asylum and for next 20 minutes the storyline unfolds as the scientist is introduced to his new British scientist colleagues and working conditions. Yet once the 'Russian' scientist settles into his new role, interest starts to falter as very early on it's clear as daylight that two of the main characters are obviously are up to their neck in spying and espionage. Most of the scenes are in either Dennis Wheatley's drawing room is his rather grand house, where everyone is well mannered and polite, and in the laboratory, where again there is very little action. Considering this is a Cold War spy film, it's very short on suspense or dramatic twists and turns. The film needed a Herbert Lom to give the film an 'edge' and menace, and although Stephen Murray, who takes the lead role does a reasonable job as the Russian scientist, his performance is too bland and too low key! Indeed, my problem with the whole film is the lack lustre script, which never allows the characters to be more than just one dimensional. Also, the characters never convince me as serious scientists working in a top secret government laboratory. For instance, Peter Gilmore, playing Tom Masters a cynical young scientist, seems more interested in 'skirt chasing' and chatting up young women, and as such comes across as an unnecessary distraction to the story. John Carson, cast as the handsome and suave Richard Colman, is wasted, as he has little to do apart from befriend his love interest, Leila played by June Thorburn. Yet it is Leila, the young female top scientist, who is the least convincing, by her timid and dull demeanour as well as her 'secretarial' manner, even when the director has her wearing glasses in the laboratory, to make her look 'studious' and something of a boffin, it doesn't really work. However, there are compensations. Alan Wheatley is always a joy to watch, as is Ernest Clark, both British stalwart character actors of the 50's & 60's. In a sense the film is a disappointment, as it promised so much at the beginning but quickly loses its way half way through. Nevertheless, it's still worth watching.
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