The outbreak of war disrupts a young couple's nuptial plans. This Yugoslavian black comedy blends near slapstick farce (such as the distribution of the anti-radiation suits or the camouflage lessons) with irony (pealing church-bells don't mean peace, they mean annihilation of the enemy), and political satire. Similar to Dr. Strangelove, the final punchline is the bomb going off. The scene in which the government announces that they have installed cameras on the war-heads so citizens can see the faces of the enemy just before the missiles hit is particularly inspired. Not surprisingly, rather than inciting blood-lust, personifying the enemy triggers the peace movement. The film is not subtle: war is a foolish, cruel, and unnecessary past-time driven from the elites regardless of the feelings of the people. This must have seemed an odd message to Western viewers, considering the film was made behind the 'Iron Curtain', where dissent and pacifism was routinely suppressed (or so we were told). Although there is certainly some timelessness to the message, 'War' (a translation of the original Serbo-Croatian title 'Rat') seems dated and almost quaint now, but is worth watching by anyone interested in political films of the era (from either side of the Curtain). The production values are quite impressive and if the scenes of military mobilisation were done using stock footage, the blending is seamless. I watched a reasonably well-done English-subtitled version on-line (called 'Atomic War Bride'). All in all, a novel example of cold-war era 'Atomic Bomb Cinema'.
Review of Atomic War Bride
