8/10
The film's title indeed sum it up.
28 April 2020
Warning: Spoilers
Another spin-off from the TV series; The Woman Called Fujiko amine. Almost identical in following the story format of Daisuke Jigen's Gravestone, but swapping around characters and their predicaments. Not as plot heavy this time around, where it's the quietly unassuming samurai Goemon Ishikawa's turn (just like in The Fuma Conspiracy) to take on the limelight. It looks like he has met his match to the point his skilful, breakneck blades have less of an effect. Quite an eye-opening experience, which had him trying to find his inner-self through spiritual meditation after such devastating defeats that he can't help but relive. Giving into this torment, it shows a vulnerability never really shown before. His foe is an ex-soldier turned assassin, Hawk, whose brute mountain man appearance reminded me of Bluto from Popeye. An unstoppable force who goes about his business in a causal manner; donning a wide-brim hat, bulging biceps and side-holsters packing axes. To beat this opponent, it's going to take something unconventional. The encounters between Goemon and Hawk are a full-on assault, surprisingly gory and magnificently illustrated, although another highlight is Goemon going to work slicing through some crime underworld figures. It's a beautiful sight!

It's a boldly violent, and reflective tale where the signature playful elements of humour and adventure are toned down for something rather focused and adult-laced. The sharply concise chase narrative had little distractions, providing exhilarating action scenes of destruction and carnage. Again like Jigen's Gravestone, the script had Lupin and co playing secondary to the title character. Flashy animated visuals simply pop with vivid creativity and personality adding to the OVA's suave and flooring style. I really love Takeshi Koike's direction and refreshing vision for this franchise.
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