Robibaar (On A Sunday, on Hoichoi) - Sayani (Jaya Ahsan) is a legal affairs manager of an MNC and is simultaneously working on publishing her own book. On a lazy Sunday morning, she heads to a coffee shop for breakfast where she has a chance meeting with Asimabha (Prasenjit Chatterjee), her beau from 15 years ago. Or is it?
What follows is a dribble between their past life and experiences and their present, through which we learn that Asimabha is a brilliant individual with devious motives. He has led a life of con, has none to go back to, law is hotly chasing him and he has paid money to a hitman to murder him as suicide isn't something that he has the courage to do. But somewhere in his heart he is repentant and thinks that he can redeem himself by rescuing a street urchin. Now Asimabha and Sayani can use each other for mutual benefit, perhaps.
If the writer-director Atanu Ghosh thought that this is content enough and will engage the viewers, he got it all wrong. The story, if you can call it that, refuses to take off. It whines and grates, unable to lift it's own weight and crawls forward like a sloth, testing our patience. You keep waiting expectantly for something dramatic to happen or a twist in the story, but alas there isn't any. With just two characters around it also becomes quite monotonous to listen to their inane humming. Actually, not much emotive skills are on display here as there isn't much demand for it. Of course there isn't much chemistry between them too as they separated 15 years ago - really?
What follows is a dribble between their past life and experiences and their present, through which we learn that Asimabha is a brilliant individual with devious motives. He has led a life of con, has none to go back to, law is hotly chasing him and he has paid money to a hitman to murder him as suicide isn't something that he has the courage to do. But somewhere in his heart he is repentant and thinks that he can redeem himself by rescuing a street urchin. Now Asimabha and Sayani can use each other for mutual benefit, perhaps.
If the writer-director Atanu Ghosh thought that this is content enough and will engage the viewers, he got it all wrong. The story, if you can call it that, refuses to take off. It whines and grates, unable to lift it's own weight and crawls forward like a sloth, testing our patience. You keep waiting expectantly for something dramatic to happen or a twist in the story, but alas there isn't any. With just two characters around it also becomes quite monotonous to listen to their inane humming. Actually, not much emotive skills are on display here as there isn't much demand for it. Of course there isn't much chemistry between them too as they separated 15 years ago - really?