"Senseless violence is a prerogative of youth, which has much energy but little talent for the constructive." - Anthony Burgess
Burgess' quote seems fittingly applied by filmmaker Hugo Diego Garcia in his film "Tony," which follows a young Spaniard immigrant who joins a gang of thuggish racially persecuted immigrants in 1980's France.
There are times where the narrative of this period gangster film meanders, yet the acting, specifically Hugo Diego Garcia, who also plays the lead character Tony, makes up for any story flaws. Garcia's understated performance lingers, seeping through your veins like a slow intravenous drip. Through the smallest, most subtle reactions, Garcia plays a likable, empathetic rogue, delivering a complex character, struggling with layers of internal conflict, whose emotional frailty manifests in a paralytic moral split.
As a director, Hugo Diego Garcia has a visually arresting sensibility. Stylistically, "Tony" reminded me of Scorsese's "Mean Streets" and Kubrick's "A Clockwork Orange." Garcia's directorial debut is far from perfect, but there is no doubt that he delivers a vivid, indelible, emotive performance.
Burgess' quote seems fittingly applied by filmmaker Hugo Diego Garcia in his film "Tony," which follows a young Spaniard immigrant who joins a gang of thuggish racially persecuted immigrants in 1980's France.
There are times where the narrative of this period gangster film meanders, yet the acting, specifically Hugo Diego Garcia, who also plays the lead character Tony, makes up for any story flaws. Garcia's understated performance lingers, seeping through your veins like a slow intravenous drip. Through the smallest, most subtle reactions, Garcia plays a likable, empathetic rogue, delivering a complex character, struggling with layers of internal conflict, whose emotional frailty manifests in a paralytic moral split.
As a director, Hugo Diego Garcia has a visually arresting sensibility. Stylistically, "Tony" reminded me of Scorsese's "Mean Streets" and Kubrick's "A Clockwork Orange." Garcia's directorial debut is far from perfect, but there is no doubt that he delivers a vivid, indelible, emotive performance.