Those eyes, wide opened
5 February 2020
Warning: Spoilers
I love art. I love biographies. I love history. So, I decided to watch biographic history of the Art. Die neue Zeit. I didn't get much of art, nor history, nor biography. But what I've got is a pair of beautiful blue eyes, full of deepest love, respect and dedication for something unique between male and female. The scene in the sixth part, which starts when Gropius is welcomed by Doerte outside House am Horn, is a masterpiece. Their labirint of love, which we follow through the whole serial, culminates in their walk through the house (also a labirint) in which their search for love and for each other keeps going on. Very sensitive music going along, with touchy feeling for touchy scenes. Beautiful. Most beautiful. From one room to anther. From one look to another. She seats - and there's a cradle. He rolls it - yes, he's not stable, the scene says. Etc. Etc. And then the strongest scene I keep looking at: when she asks him. That scene! Those eyes! That expression on her face. I totally believe her. Another great scene is, when Doerte comes to his office later on, offering herself as an assistant in Dessau. Her great love didn't die, her beautiful love is here again, here is her always-forgiving-everything-accepting-beautiful-face-of-dedication-and-admiration and those gentle big blue eyes. Thank you, to all of you, who have made this fantastically good piece of acting, directing, producing etc.
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