It took Senate staffer Daniel Jones seven years to compile the 6,700-page report that brought this and other failings to light - a laborious process unpicked by writer/director Scott Z. Burns (whose script credits include The Bourne Ultimatum and No Time To Die) in a talky yet engrossing drama intentionally reminiscent of All The President's Men. Tasked by Senator Dianne Feinstein (a coolly commanding Annette Bening) with leaving no stone unturned, Jones - infused here with simmering indignation by a driven Adam Driver - systematically details the brutalities inflicted on all of the Agency's 119 detainees. Having assembled his torture dossier, though, Jones faces another uphill struggle to get it published. As Matthew Rhys' reporter ruefully observes, "they sent you off to build a boat they had no intention of sailing." As vessels go, The Report is one so overloaded with names, dates, flashbacks and acronyms it's a wonder it stays afloat. That it does should be attributed not just to the dogged conviction Driver exudes as its righteous hero but also to the film's unshakeable belief that the ugly truth will ultimately out. Burns' film is not an easy watch, not least when it depicts what took place in Langley's infamous "black sites". Like the harrowing data that inspired it, though, it defies redaction.
Review of The Report
The Report
(I) (2019)
It took Senate staffer Daniel Jones seven years to compile the 6,700-page report
16 November 2019