Ken Loach, great director of working class movies, gifts an awesome political art-work to the audience, again.
The movie doesn't say any directly political word or doesn't picture any agitative scene. But, it really strikes the audience and reflects hard reality of actual daily life in U.K. Within a plain narration (however much more harder than "I, Daniel Blake") and masterfully avoiding a catharsis final, Loach tells great majorities' pity lives;
-. Flexible working conditions instead of officially regular work hours
-. Ambigious labour shifts which comprise no stable daily break-time or weekly holiday
-. obligations of unemployment and debts to consent those terrible working conditions.
-. the one can't find any time for the family, friends or any leisure avtivity and could easily transform to a non-sensual monster... Loach, with no boring narration and without a huge agitation, tells an ordinary family's very realistic and sentimental story.
I think every audience will leave the theatre with a high anger to the capitalist system!!! Thank you, Ken Loach!!!
The movie doesn't say any directly political word or doesn't picture any agitative scene. But, it really strikes the audience and reflects hard reality of actual daily life in U.K. Within a plain narration (however much more harder than "I, Daniel Blake") and masterfully avoiding a catharsis final, Loach tells great majorities' pity lives;
-. Flexible working conditions instead of officially regular work hours
-. Ambigious labour shifts which comprise no stable daily break-time or weekly holiday
-. obligations of unemployment and debts to consent those terrible working conditions.
-. the one can't find any time for the family, friends or any leisure avtivity and could easily transform to a non-sensual monster... Loach, with no boring narration and without a huge agitation, tells an ordinary family's very realistic and sentimental story.
I think every audience will leave the theatre with a high anger to the capitalist system!!! Thank you, Ken Loach!!!