... I almost expect somebody in this film to say those tired old lines. This is one of the few precode Fox films that has managed to survive. So many were lost to vault fires or just nitrate deterioration from neglect. Odd how this obscurity survived and is on DVD even!
Chandu (Edmund Lowe) is a magician who seems to just be "graduating" as the film begins with a ceremony full of mumbo jumbo that I cannot make sense of even when I rewind and replay it several times. Chandu finds out that his brother-in-law, who was working on a death ray invention, has been kidnapped by Roxor (Bela Lugosi), and so he rushes to his sister's side to protect her and her daughter and try to save his brother-in-law before Roxor can learn the secret of the death ray. And what does Roxor want? Power? RIches? Fame? no he wants to destroy society so mankind will revert to beasts and he can be the smartest guy in the world. Weird. I guess this is what happens when a sociopath is forced to wear a dunce cap as a kid.
If this sounds like something out of silent film, that is how it plays out too. The romance scenes, the action scenes, everything plays out with silent film technique in direction and acting. I generally really like Edmund Lowe and his roles, so I have to lay this at the feet of the director. I could take this in stride in 1929 and 1930 during the transition to sound, but that time is long over.
Probably the most tiresome character, though, is Albert, Chandu's loyal companion. He is cowardly, a drunk, and always having to be rescued by Chandu even though saving Albert from himself is NOT his primary mission. Prohibition was still in force, so maybe all of these unfunny drunks I encounter in these Prohibition era films are supposed to be knocks at an unpopular law. But today, it's just not funny.
Mildly recommended for fans of Edmund Lowe and Bela Lugosi.
Chandu (Edmund Lowe) is a magician who seems to just be "graduating" as the film begins with a ceremony full of mumbo jumbo that I cannot make sense of even when I rewind and replay it several times. Chandu finds out that his brother-in-law, who was working on a death ray invention, has been kidnapped by Roxor (Bela Lugosi), and so he rushes to his sister's side to protect her and her daughter and try to save his brother-in-law before Roxor can learn the secret of the death ray. And what does Roxor want? Power? RIches? Fame? no he wants to destroy society so mankind will revert to beasts and he can be the smartest guy in the world. Weird. I guess this is what happens when a sociopath is forced to wear a dunce cap as a kid.
If this sounds like something out of silent film, that is how it plays out too. The romance scenes, the action scenes, everything plays out with silent film technique in direction and acting. I generally really like Edmund Lowe and his roles, so I have to lay this at the feet of the director. I could take this in stride in 1929 and 1930 during the transition to sound, but that time is long over.
Probably the most tiresome character, though, is Albert, Chandu's loyal companion. He is cowardly, a drunk, and always having to be rescued by Chandu even though saving Albert from himself is NOT his primary mission. Prohibition was still in force, so maybe all of these unfunny drunks I encounter in these Prohibition era films are supposed to be knocks at an unpopular law. But today, it's just not funny.
Mildly recommended for fans of Edmund Lowe and Bela Lugosi.