Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. 'Helpmates' for me is up there with their best and certainly among their funniest.
Can't really find anything wrong with it, was past caring this time as to whether the story was standard or not because it gets to the point and has a lot of energy throughout, on top of being riotously funny in its best moments. Whoever knew that attempting to clean up a house, something that can be fairly stressful, could be so entertaining?
From start to finish 'Helpmates' is great fun, never less than very amusing and the best moments, such as the ending, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new as such but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. A lot happens yet it doesn't ever feel rushed or over-stuffed. The ending is a sheer delight and it contains one of the best and most priceless lines of all Laurel and Hardy.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Helpmates' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.
'Helpmates' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, but it's Laurel and Hardy who take the honours here.
In summary, one of Laurel and Hardy's best. 10/10 Bethany Cox
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. 'Helpmates' for me is up there with their best and certainly among their funniest.
Can't really find anything wrong with it, was past caring this time as to whether the story was standard or not because it gets to the point and has a lot of energy throughout, on top of being riotously funny in its best moments. Whoever knew that attempting to clean up a house, something that can be fairly stressful, could be so entertaining?
From start to finish 'Helpmates' is great fun, never less than very amusing and the best moments, such as the ending, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new as such but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. A lot happens yet it doesn't ever feel rushed or over-stuffed. The ending is a sheer delight and it contains one of the best and most priceless lines of all Laurel and Hardy.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Helpmates' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.
'Helpmates' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, but it's Laurel and Hardy who take the honours here.
In summary, one of Laurel and Hardy's best. 10/10 Bethany Cox