Firstly, I like the directness of the title. Apparently one of those films Sinatra made when he was on his career downward curve before "From Here To Eternity" on screen and Capitol Records on vinyl set him aright a couple of years later. Me, I really enjoyed it and wouldn't wonder it might have gotten a better reception and been better remembered if it had been made after 1953 and all that.
The story's pretty far fetched as Sinatra, Alex Nicol, Raymond Burr and a young Shelley Winters play out a love-rectangle if you will with surprisingly, Nicol being the one who gets the girl. Burr is the mobster with designs on her after he employs her as a singer at one of his clubs and who then takes singer and pianist duo Nicol and Sinatra on as their agent but at a hefty 50% cut of their earnings. Nicol is the nice guy, older than Frank's Danny Wilson and obviously some sort of mentor / father figure to him which is just as well as Frank's clearly going through his wild years (thanks, Tom Waits) always one misheard remark or misunderstanding away from a fist fight, from which Nicol usually extricates him.
How the intertwining love stories and the duo's situation with Burr resolve themselves are a little rushed and pat into the bargain, but there's enough grit and drama to see it through to a satisfactory conclusion.
The story goes that Sinatra and Winters didn't get along on set, but you wouldn't really know it here as they make a feisty and watchable couple. I don't recall seeing Nicol in a movie before but liked his work here, the straight man to firecracker Frankie. Burr actually isn't much on camera but conveys a credible sense of malevolence when he does.
The main attraction for Sinatra aficionados is the chance to see the still young Francis Albert looking good and sounding great rendering a nice selection of well known songs in fine style, including "All Of Me", "When You're Smiling", "That Old Black Magic" and "I've Got A Crush On You". He also has a knockout duet with Winters singing "A Good Man Is Hard To Find".
Other things to like were the New York settings, although much of it was probably recreated I'd guess, a one-line cameo by Tony Curtis and there's a cute scene where Sinatra effectively invents the first flash-mob at the airport to try to stop Winters leaving him, just after she's reluctantly become engaged to him.
So there you have it, part musical, part drama, part thriller, an unusual cocktail of a movie but these shaken up ingredients settle well together and made for a good 90 minutes well spent.
The story's pretty far fetched as Sinatra, Alex Nicol, Raymond Burr and a young Shelley Winters play out a love-rectangle if you will with surprisingly, Nicol being the one who gets the girl. Burr is the mobster with designs on her after he employs her as a singer at one of his clubs and who then takes singer and pianist duo Nicol and Sinatra on as their agent but at a hefty 50% cut of their earnings. Nicol is the nice guy, older than Frank's Danny Wilson and obviously some sort of mentor / father figure to him which is just as well as Frank's clearly going through his wild years (thanks, Tom Waits) always one misheard remark or misunderstanding away from a fist fight, from which Nicol usually extricates him.
How the intertwining love stories and the duo's situation with Burr resolve themselves are a little rushed and pat into the bargain, but there's enough grit and drama to see it through to a satisfactory conclusion.
The story goes that Sinatra and Winters didn't get along on set, but you wouldn't really know it here as they make a feisty and watchable couple. I don't recall seeing Nicol in a movie before but liked his work here, the straight man to firecracker Frankie. Burr actually isn't much on camera but conveys a credible sense of malevolence when he does.
The main attraction for Sinatra aficionados is the chance to see the still young Francis Albert looking good and sounding great rendering a nice selection of well known songs in fine style, including "All Of Me", "When You're Smiling", "That Old Black Magic" and "I've Got A Crush On You". He also has a knockout duet with Winters singing "A Good Man Is Hard To Find".
Other things to like were the New York settings, although much of it was probably recreated I'd guess, a one-line cameo by Tony Curtis and there's a cute scene where Sinatra effectively invents the first flash-mob at the airport to try to stop Winters leaving him, just after she's reluctantly become engaged to him.
So there you have it, part musical, part drama, part thriller, an unusual cocktail of a movie but these shaken up ingredients settle well together and made for a good 90 minutes well spent.