A fellow IMDb user alerted me that this 70's TV movie was in fact the very first horror movie from Yugoslavia. I can't honestly say I have actually seen any others myself but this fact did leave me somewhat intrigued for sure. In the event, Leptirica proved to be a very fascinating watch indeed and one which suggests that the Serbs are missing a trick in not having made more horror films steeped in their folklore. Like most vampire films from other parts of Europe, the events in this one take place in the 19th century. More specifically, the action occurs in a rural village which relies on a cursed mill in which a succession of millers have been murdered in the night by a vampire, a being who once was called Sava Savanovic, a man who died one hundred years ago. Unlike most other European vampire presentations, though, the creature here is a long way off the sophisticated aristocratic blood-sucker variety and is instead a filthy feral beast with excess body hair, sharp nails and teeth. This seems to tie in more accurately with the traditional Serbian model which is like a cross-over between a vampire and a werewolf. I very much appreciated the difference here and had never before seen a depiction of this creature done quite in this way. It felt a very authentic rendering and one which seemed to have emerged organically from Serbian culture.
Similar to the tradition of fairy-tales from eastern and central Europe, there is also a fearless ambiguity to how events are played out on screen. Many aspects are never explained fully and remain tantalisingly remote and enigmatic. The vampire itself emerges suddenly and aggressively, it performs strange rituals such as covering its hands in flour, while it appears to mysteriously exist partially as a butterfly. These types of unusual details possibly are not explained fully as the intended Yugoslavian television audience perhaps were expected to understand them from widely told folk tales from that country. I don't know for sure if that is true but whatever the case, the result is to the overall benefit of the film as far as I am concerned as unexplained mysteries often work best when it comes to strange supernatural stories. After all, the unknown is often the lair of the scariest things of all. When the horror moments occur in this movie, they are often very effective and chilling, with the vampire itself a memorably scary creature, who indulges in witchy behaviour such as riding its victim. It's nice to see that this old television movie from the former Yugoslavia has been developing an appreciative audience over the years. It's a very interesting alternative indeed to the more traditional Gothic fare from Western Europe.
Similar to the tradition of fairy-tales from eastern and central Europe, there is also a fearless ambiguity to how events are played out on screen. Many aspects are never explained fully and remain tantalisingly remote and enigmatic. The vampire itself emerges suddenly and aggressively, it performs strange rituals such as covering its hands in flour, while it appears to mysteriously exist partially as a butterfly. These types of unusual details possibly are not explained fully as the intended Yugoslavian television audience perhaps were expected to understand them from widely told folk tales from that country. I don't know for sure if that is true but whatever the case, the result is to the overall benefit of the film as far as I am concerned as unexplained mysteries often work best when it comes to strange supernatural stories. After all, the unknown is often the lair of the scariest things of all. When the horror moments occur in this movie, they are often very effective and chilling, with the vampire itself a memorably scary creature, who indulges in witchy behaviour such as riding its victim. It's nice to see that this old television movie from the former Yugoslavia has been developing an appreciative audience over the years. It's a very interesting alternative indeed to the more traditional Gothic fare from Western Europe.