Lord Jeff (1938)
7/10
Gale Sondergaard to the rescue!
23 October 2017
Warning: Spoilers
Director: SAM WOOD. Screenplay: James Kevin McGuinness. Original screen story: Bradford Ropes, Val Burton and Endre Bohem. Photography: John Seitz. Film editor: Frank E. Hull. Art directors: Cedric Gibbons and Uric McClery. Set decorator: Edwin B. Willis. Costumes: Dolly Tree. Music: Edward Ward. Uncredited script contributors: Frank Davis, Walter Ferris, Sam Wood. Script clerk: Carl Roup. Technical adviser: Edward J. Stacey. A Sam Wood Production. Sound recording: Douglas Shearer. Western Electric Sound System. Producer: Frank Davis. Dedicated to Dr Thomas John Barnardo.

Copyright 20 June 1938 by Loew's Inc. Presented by Merto-Goldwyn- Mayer. New York opening at the Capitol, 30 June 1938. U.S. release: 17 June 1938. Australian release: October 1938. 9 reels. 85 minutes. U.K. and Australian release title: The BOY FROM BARNARDO'S.

SYNOPSIS: Orphan boy turned jewel thief learns true sportsmanship at Dr Barnardo's marine training school.

NOTES: Academy Award, Mickey Rooney, best male juvenile of 1938.

COMMENT: One doesn't want to be too hard on this movie, though many viewers may well find its good intentions rather a pain. The plot, of course, is thoroughly predictable and doesn't live up to the promise of its lively opening sequences.

The characters, alas, are pretty conventional figures too — though enacted by a rather interesting cast including Mickey Rooney fairly successfully attempting an Irish accent and young Peter Lawford smiling in many backgrounds. Charles Coburn, Herbert Mundin, George Zucco and Matthew Boulton are always reliable players. And it's nice to spot Monty Woolley.

However, the film's stand-out performance is contributed by Gale Sondergaard, one of the finest actresses ever to grace the screen. Her fascinatingly clever portrayal alone makes Lord Jeff a must-see picture.

Wood's direction is competent, keeping the pace moving along briskly, and Seitz's lighting is atmospherically low-key. By "B" standards — the film was obviously designed as rip-off of Boys Town — production values are lavish, with that all-British background skilfully recreated in both interiors and exteriors.
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