I couldn't tell you the last film to utilize black-face, but it was at least seven years after this colorful musical biography. You can't hide history, and it should be recalled with nostalgia if never done again outside the historical aspects that it did happen. The great American songbook began long before Irving Berlin, Cole Porter, the Gershwins and Rodgers and Hart. Before there was a legitimate Broadway, there was the minstrel show, and black-face, as shameful as it is today, was a major part of that.
This is the typical pull yourself up from the bottom and rise to the top story of an American songwriter, and frankly, the story of Chauncey Olcott is probably based more upon legend than fact, but in the capable hands of Dennis Morgan, it's done very well. Arlene Dahl, a gorgeous redhead, plays his love interest, with Andrea King as the legendary Lillian Russell, helping Olcott and causing a strain between Morgan and Dahl.
There are so many wonderful little ditties here, many still heard today, proving that good taste never dies even after its wounded a bit. The colorful costumes, energetic dance numbers and endearing corny comedy is the spark that lights this up. Some great comic character actors best known for their TV work to youngsters (George Tobias, "Bewitched") and William Frawley ("I Love Lucy") will give a sense of familiarity. Only one rose is needed here, as it's a rich, fat one, colorful and majestic.
This is the typical pull yourself up from the bottom and rise to the top story of an American songwriter, and frankly, the story of Chauncey Olcott is probably based more upon legend than fact, but in the capable hands of Dennis Morgan, it's done very well. Arlene Dahl, a gorgeous redhead, plays his love interest, with Andrea King as the legendary Lillian Russell, helping Olcott and causing a strain between Morgan and Dahl.
There are so many wonderful little ditties here, many still heard today, proving that good taste never dies even after its wounded a bit. The colorful costumes, energetic dance numbers and endearing corny comedy is the spark that lights this up. Some great comic character actors best known for their TV work to youngsters (George Tobias, "Bewitched") and William Frawley ("I Love Lucy") will give a sense of familiarity. Only one rose is needed here, as it's a rich, fat one, colorful and majestic.