I don't usually write reviews, but I don't feel like "The Great Warrior Skanderbeg" has gotten what it deserves here. It's one of those rare movies where my immediate response upon finishing it was just, "Damn..." Even upon beginning the film, the overall feel may remind some viewers of such more well-known historical epics such as "Ben-Hur" and "Spartacus". The battle scenes in particular remind me of such films, and are extremely well done. In addition, the dance scenes (which aren't always 100% necessary but still nice nonetheless) are beautifully choreographed, and the costumes that go along with them equally stunning. Without spoiling anything, I'll say the final scene was what really blew me away, and served as a nice wrap-up to the story, which spans nearly 60 years from Gjergj Kastriot's childhood to the year of his death.
There are a few problems with this film, however. Some of the major complaints I've seen have been about some of the acting, dialogue, and one-dimensional characters. Additionally, I should note that the educated viewer will be able to read between the lines and see traces of the Hoxhaist ideology this film was made under, but not at all to a distracting extent (like, for example, the films of North Korea). In my opinion, none of these things really took away from the film's strengths.
Last time I checked, there are numerous versions of this film available online, making it fairly easily accessible, but even if you are unable to find it, I'd still recommend putting in the effort to hunt it down if you're a fan of 50s/60s historical epics and/or the cinema of the Eastern bloc.
There are a few problems with this film, however. Some of the major complaints I've seen have been about some of the acting, dialogue, and one-dimensional characters. Additionally, I should note that the educated viewer will be able to read between the lines and see traces of the Hoxhaist ideology this film was made under, but not at all to a distracting extent (like, for example, the films of North Korea). In my opinion, none of these things really took away from the film's strengths.
Last time I checked, there are numerous versions of this film available online, making it fairly easily accessible, but even if you are unable to find it, I'd still recommend putting in the effort to hunt it down if you're a fan of 50s/60s historical epics and/or the cinema of the Eastern bloc.