STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
A dramatisation of the real life tale of Shannon Matthews, a nine year old girl from the Dewsbury area of Yorkshire, who went missing for a short while in early 2008, and sparked a nationwide appeal for her safe return (but received substantially less coverage than Madeleine McCann, from a more affluent background...but who's never been found.) Julie Bushby (Sheridan Smith), a close friend of Shannon's wayward mother Karen (Gemma Whelan), spearheaded the local community into action, and all the local residents turned out to look for Shannon in a unified show of solidarity, while Karen's behaviour was just disinterested and odd. Eventually, in what appeared to be a rare happy ending for this type of case, Shannon was found...but the truth, in it's own way, was as earth shattering as if she hadn't, when it was discovered Shannon had been abducted by her own mother and her friend Michael Donavan (Sam Chapman), while her current partner Craig Meehan (Tom Hansen) was arrested for possessing child pornography.
There are many who subscribe to the mediums of film and television, strictly as a means of escapism, to retreat into a world of fantasy, with limitless possibilities and an almost certainly predetermined happy ending. There is not much interest, from these people, in seeing re-enactments of tales constrained by the boundaries of real life, even happy tales, played out with all the grubby, unavoidable trappings of reality. A tale set somewhere like Dewsbury Moor, a place that perfectly encapsulates the gritty, unglamorous surroundings/way of life that are probably the norm for a no doubt many unidentified number among us. In bringing this dramatisation to the screen. director Paul Whittington has shoved this bleak landscape straight in our face and left us to witness the car crash that proceeded.
In what appears to be the most meagre common ground with a fantasy film as opposed to the hard, brutal depiction of reality that it is, the lead character is the good guy, or certainly the person with the most noble intentions, even at the expense of not really being the main antagonist of the story. In this role, as the bright, bubbly spark of flickering decency in a sea of relentlessly, depressingly immoral, grubby people, Sheridan Smith truly exemplifies what a terrific actress she is, demonstrating her ability to transform and really immerse herself into any role she's doing, and really bringing the character of Julie Bushby to life like no other. The supporting performers are also strikingly accurate, but it is truly her who steals the show.
The dichotomy of Matthews is simply as a figure who took dysfunctional to a whole new level, who skipped her appearance on The Jeremy Kyle Show and gained public notoriety in a different, far more shocking way. The Daily Mail/Tory Party would probably have you believe she's symptomatic of hundreds of others across the country, and while that's most likely very debatable, this is still a well made and hauntingly accurate portrayal, spread out over two series, of a case that'll probably never be forgotten. *****
A dramatisation of the real life tale of Shannon Matthews, a nine year old girl from the Dewsbury area of Yorkshire, who went missing for a short while in early 2008, and sparked a nationwide appeal for her safe return (but received substantially less coverage than Madeleine McCann, from a more affluent background...but who's never been found.) Julie Bushby (Sheridan Smith), a close friend of Shannon's wayward mother Karen (Gemma Whelan), spearheaded the local community into action, and all the local residents turned out to look for Shannon in a unified show of solidarity, while Karen's behaviour was just disinterested and odd. Eventually, in what appeared to be a rare happy ending for this type of case, Shannon was found...but the truth, in it's own way, was as earth shattering as if she hadn't, when it was discovered Shannon had been abducted by her own mother and her friend Michael Donavan (Sam Chapman), while her current partner Craig Meehan (Tom Hansen) was arrested for possessing child pornography.
There are many who subscribe to the mediums of film and television, strictly as a means of escapism, to retreat into a world of fantasy, with limitless possibilities and an almost certainly predetermined happy ending. There is not much interest, from these people, in seeing re-enactments of tales constrained by the boundaries of real life, even happy tales, played out with all the grubby, unavoidable trappings of reality. A tale set somewhere like Dewsbury Moor, a place that perfectly encapsulates the gritty, unglamorous surroundings/way of life that are probably the norm for a no doubt many unidentified number among us. In bringing this dramatisation to the screen. director Paul Whittington has shoved this bleak landscape straight in our face and left us to witness the car crash that proceeded.
In what appears to be the most meagre common ground with a fantasy film as opposed to the hard, brutal depiction of reality that it is, the lead character is the good guy, or certainly the person with the most noble intentions, even at the expense of not really being the main antagonist of the story. In this role, as the bright, bubbly spark of flickering decency in a sea of relentlessly, depressingly immoral, grubby people, Sheridan Smith truly exemplifies what a terrific actress she is, demonstrating her ability to transform and really immerse herself into any role she's doing, and really bringing the character of Julie Bushby to life like no other. The supporting performers are also strikingly accurate, but it is truly her who steals the show.
The dichotomy of Matthews is simply as a figure who took dysfunctional to a whole new level, who skipped her appearance on The Jeremy Kyle Show and gained public notoriety in a different, far more shocking way. The Daily Mail/Tory Party would probably have you believe she's symptomatic of hundreds of others across the country, and while that's most likely very debatable, this is still a well made and hauntingly accurate portrayal, spread out over two series, of a case that'll probably never be forgotten. *****