Okay slice of psychodrama and woman-in-danger flick. Still the script remains a rather uneasy mix of several elements. There're shadowy elements of noir, just emerging in '46, but mostly it's whether wife Brooke (King) can undo husband Eric's (Dantine) evil schemes and still survive. Can't say the plot's too original since Brooke marries Eric on short notice, not realizing his dark past. He poses as a doctor with unconventional methods, but just how "unconventional" is he. King looks good in 40's outfits, still I wish she (or director Santley) could have worked up more emotion. That would have heightened tension as the story winds down. But then the showdown is not what is ordinarily expected in this type movie. There's a good twist concerning the characters that I didn't see coming. So there are some surprises. Too bad that culminating fist-fight is none too plausible given Carl's (Alvin) gimpy leg. But dig that all- night diner that Joe (Erdman) presides over. It can compete with any of noir's many iconic diners.
All in all, the flick's an okay time-passer, but doesn't really pack the tension that's waiting there in the concept.
All in all, the flick's an okay time-passer, but doesn't really pack the tension that's waiting there in the concept.