Plot-- Roy stumbles into business dealings surrounding a lost silver mine. In the process, he meets up with a spunky girl and some sneaky crooks. Good thing Andy's around to help.
This Front Row Geezer really enjoyed the 67-minutes. Especially a spirited Jane Frazee who all but steals the show with her assertive Carol Vanderpool or is it Martin. Oh well, either way she's a scene stealer. Roy gets to do a lot of well choreographed flying fists, and I hope they paid him double for his extra trouble. And, of course, Andy Devine is Andy Devine, but with less clowning than usual. Catch that early scene with Roy and Frazee on the stagecoach—it's a little gem of battling attraction between guy and gal. Frazee was a really good foil for Rogers, as, I guess, both Roy and Dale knew.
There's some canyon scenery, but not much. Most of the action settles into familiar greater LA locations. And what about that hurricane Katrina slammed place called Sin Town and a hotel called Hangman's that shows all the litter and crud that the studio could muster. They're like nothing I've seen in an oater. Not much hard riding or fast shooting, but likely enough for matinée fans, including myself. All in all, it's a good action-filled Republic production. My only complaint is the bland b&w instead of Technicolor. But Trigger still looks good, even if upstaged by a sombrero-wearing mule.
A "7" on the Matinée Scale
This Front Row Geezer really enjoyed the 67-minutes. Especially a spirited Jane Frazee who all but steals the show with her assertive Carol Vanderpool or is it Martin. Oh well, either way she's a scene stealer. Roy gets to do a lot of well choreographed flying fists, and I hope they paid him double for his extra trouble. And, of course, Andy Devine is Andy Devine, but with less clowning than usual. Catch that early scene with Roy and Frazee on the stagecoach—it's a little gem of battling attraction between guy and gal. Frazee was a really good foil for Rogers, as, I guess, both Roy and Dale knew.
There's some canyon scenery, but not much. Most of the action settles into familiar greater LA locations. And what about that hurricane Katrina slammed place called Sin Town and a hotel called Hangman's that shows all the litter and crud that the studio could muster. They're like nothing I've seen in an oater. Not much hard riding or fast shooting, but likely enough for matinée fans, including myself. All in all, it's a good action-filled Republic production. My only complaint is the bland b&w instead of Technicolor. But Trigger still looks good, even if upstaged by a sombrero-wearing mule.
A "7" on the Matinée Scale