Musical movies in the 1930s and 40s were generally a string of musical numbers linked together by enough dialogue to fill out 90 minutes. The major studios usually made at least an effort to provide a plot that was not embarrassing and that more or less made the musical numbers fit.
Twentieth Century Fox didn't bother here. Henie gets some nice skating numbers, but the plot, such as it is, is pretty lame.
It hits a surprising low when it tries to motivate Henie's efforts to enter the U.S. by using the German invasion of Norway. That was very serious business, of course, and a real tragedy. It seems very strange to see it used here, almost completely unmourned, as an excuse for a plot twist.
The secondary roles here are well played, especially by Cesar Romero, who was very talented. But the only real interest here is Henie's skating. The rest is pretty much a waste of time.
Twentieth Century Fox didn't bother here. Henie gets some nice skating numbers, but the plot, such as it is, is pretty lame.
It hits a surprising low when it tries to motivate Henie's efforts to enter the U.S. by using the German invasion of Norway. That was very serious business, of course, and a real tragedy. It seems very strange to see it used here, almost completely unmourned, as an excuse for a plot twist.
The secondary roles here are well played, especially by Cesar Romero, who was very talented. But the only real interest here is Henie's skating. The rest is pretty much a waste of time.