This very little known pre-code is quite a find. While it is a bit creaky it also pretty amazing. I stumbled upon it while searching for a decent print of another PD film ( The Hitler Gang 1944). As I am always on a quest to see Warner Brothers material (I estimate I have seen every WB "A" of the Classic Era and 70% of the "B"s still known to exist) I read the cast with growing excitement:
Joan Blondell Ricardo Cortez Ginger Rogers Donald Crisp
Has to be Warners! So I got it and when the credits rolled I was astounded to learn that this 1933 cast of WB contract players was somehow loaned to (William) Fox Pictures! It is going to be another of my quests to find out how this came about. There was certainly no love lost between Jack Warner and William Fox (for that matter between anyone and Fox) Production values at Fox weren't on par with Warners and it shows in this picture. That would change just a few years later when Warners brilliant Production Chief Darryl F. Zanuck, having had JL try to pull a fast one on him defected and partnered with Fox which then became 20th Century-Fox).
On to the picture in question. If you are a Joan Blondell fan you will love her here. Instead of a brassy sidekick she gets to be the romantic lead for probably the only time in her career (and to the earlier reviewer who reviles her, you Sir, are an ass). Ricardo Cortez, who had been born Jakob Krantz came to Hollywood in the '20's a Warners poor mans Valentino. He survived well into the sound era and was one of WB early leading men in talkies. He would later play hard and evil men (See Wonderbar 1934 if you can find it). Here he is perfectly cast as a wealthy wooer (and user) of beautiful women, but who turns out to have a heart of gold.
Ginger Rogers is also, as usual, good as Joans sidekick just before her own breakout role in "42nd Street" Donald Crisp is seen only briefly in a forgettable role through no fault of his own. The rest of the cast is adequate and for some reason IMDb lists Victor Jory in the cast, which has to be a mistake.
Summation? It's the best pre-code sizzler Warner Brothers never made. What I like to call a"Nugget".
Joan Blondell Ricardo Cortez Ginger Rogers Donald Crisp
Has to be Warners! So I got it and when the credits rolled I was astounded to learn that this 1933 cast of WB contract players was somehow loaned to (William) Fox Pictures! It is going to be another of my quests to find out how this came about. There was certainly no love lost between Jack Warner and William Fox (for that matter between anyone and Fox) Production values at Fox weren't on par with Warners and it shows in this picture. That would change just a few years later when Warners brilliant Production Chief Darryl F. Zanuck, having had JL try to pull a fast one on him defected and partnered with Fox which then became 20th Century-Fox).
On to the picture in question. If you are a Joan Blondell fan you will love her here. Instead of a brassy sidekick she gets to be the romantic lead for probably the only time in her career (and to the earlier reviewer who reviles her, you Sir, are an ass). Ricardo Cortez, who had been born Jakob Krantz came to Hollywood in the '20's a Warners poor mans Valentino. He survived well into the sound era and was one of WB early leading men in talkies. He would later play hard and evil men (See Wonderbar 1934 if you can find it). Here he is perfectly cast as a wealthy wooer (and user) of beautiful women, but who turns out to have a heart of gold.
Ginger Rogers is also, as usual, good as Joans sidekick just before her own breakout role in "42nd Street" Donald Crisp is seen only briefly in a forgettable role through no fault of his own. The rest of the cast is adequate and for some reason IMDb lists Victor Jory in the cast, which has to be a mistake.
Summation? It's the best pre-code sizzler Warner Brothers never made. What I like to call a"Nugget".