The first big-budget adaptation of sci-fi writer Isaac Asimov's work isn't particularly faithful to the book; rather, it is "suggested" by the original stories to be found in Asimov's collection I, ROBOT. The main elements which recur are the three laws of robotics and the character of Susan Calvin. Whilst other events are taken straight from Asimov's fiction, for the most part this is a typical Hollywood blockbuster with a brainy idea grafted onto it.
I have to admit, when I first saw the casting for this film, I was less than impressed. Comedy man Will Smith in a serious, go-it-alone science fiction movie? He's no Tom Cruise, now is he? But, despite occasional unwanted touches of humour and dumbness, Smith's character is plot driven and focused, and Smith doesn't lark around too much or become too overbearing. The sub-plot of the detective investigation is certainly clichéd, with yet another cop who nobody believes and who has his badge taken back, but there are a few bionic surprises to keep viewers interested.
The whole story of the robots, however, is very well handled. It was always a difficult and rather deep concept to grasp, and whilst I, ROBOT only skims the surface, it does so with some skill. One of the main characters is a robot named Sonny, brought to life using the same technology as Gollum, and whilst not quite as sympathetic, he proves to be a unique and engaging character. The best thing to say about the effects is that you forget Sonny wasn't really "there" on set, filming; CGI characters have now become the norm and blend in perfectly with the actors. The rest of the effects, from futuristic cityscapes to huge ball-wheeled robot lorries, are generally impressive, with only the introduction of the 'robot army' looking like something out of STAR WARS.
Director Alex Proyas (DARK CITY) always goes for interesting material and this film is no exception. Not only does it raise interesting questions about the humanity of robots, but it also provides the thrills and spills essential to any Hollywood blockbuster. There's an OTT car chase with robots attacking Smith's vehicle, which is cartoonish but cool; and some fun robot destruction towards the end of the movie. Moynahan, as female lead Calvin, is surprisingly wooden and her character seems frail, whereas I think a wily, intelligent heroine would have suited the character better. Otherwise we get Bruce Greenwood chewing it up as the stock corporate baddie and James Cromwell doing another of his intelligent old man personas. Although not always successful, I, ROBOT proves to be a watchable movie with potential for future viewings.
I have to admit, when I first saw the casting for this film, I was less than impressed. Comedy man Will Smith in a serious, go-it-alone science fiction movie? He's no Tom Cruise, now is he? But, despite occasional unwanted touches of humour and dumbness, Smith's character is plot driven and focused, and Smith doesn't lark around too much or become too overbearing. The sub-plot of the detective investigation is certainly clichéd, with yet another cop who nobody believes and who has his badge taken back, but there are a few bionic surprises to keep viewers interested.
The whole story of the robots, however, is very well handled. It was always a difficult and rather deep concept to grasp, and whilst I, ROBOT only skims the surface, it does so with some skill. One of the main characters is a robot named Sonny, brought to life using the same technology as Gollum, and whilst not quite as sympathetic, he proves to be a unique and engaging character. The best thing to say about the effects is that you forget Sonny wasn't really "there" on set, filming; CGI characters have now become the norm and blend in perfectly with the actors. The rest of the effects, from futuristic cityscapes to huge ball-wheeled robot lorries, are generally impressive, with only the introduction of the 'robot army' looking like something out of STAR WARS.
Director Alex Proyas (DARK CITY) always goes for interesting material and this film is no exception. Not only does it raise interesting questions about the humanity of robots, but it also provides the thrills and spills essential to any Hollywood blockbuster. There's an OTT car chase with robots attacking Smith's vehicle, which is cartoonish but cool; and some fun robot destruction towards the end of the movie. Moynahan, as female lead Calvin, is surprisingly wooden and her character seems frail, whereas I think a wily, intelligent heroine would have suited the character better. Otherwise we get Bruce Greenwood chewing it up as the stock corporate baddie and James Cromwell doing another of his intelligent old man personas. Although not always successful, I, ROBOT proves to be a watchable movie with potential for future viewings.