5/10
Late-period Sidaris
31 May 2016
Warning: Spoilers
This is one of legendary auteur Andy Sidaris' later efforts, and the cracks are beginning to show in his formula.

The women who are the centrepiece of his films used to be somewhat enhanced, but by this point, they are positively deformed. It is a wonder they can stand up, let alone perform. The standard Sidaris squib shootout in the woods becomes even less believable than usual when your leading ladies can no longer hide behind a tree without something sticking out.

The early pacing in the film is slow, and if you've been watching Andy's films in order, the action set-pieces look recycled.

The female leads in this effort make you realise that previous Sidaris muses Dona Speir, Hope Marie Carlton and Roberta Vasquez, while not actually great actors, brought a ton more enthusiasm, effort and fun to their parts than the cast of 'Return to Savage Beach'. Julie Strain, in particular, recites her lines as if she'd rather be anywhere else.

However, their male beefcake counterparts are dull enough to make the women look vaguely competent.

The upsides? Gerald Okamura has fun with his brief screen time and Sidaris regular Rodrigo Obregon is very enjoyable, even channelling a bit of Gomez Addams when he dances with Carrie Westcott's character/breasts.

So, not primo triple-G entertainment. You can find more enjoyment in earlier works like 'Hard Ticket', 'Do or Die' or a few others from this director. They have essentially the same ingredients, but are just better cooked.
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