Even though the first film (The Haunting of Molly Hartley) had disappointed me (to say the least), I still decided to give the sequel a shot, mostly due to my understanding that it would involve demonic possessions and exorcisms, which make for a good plot and a fine scare when done right. After watching it, all I can say is that I'm glad I've given it a shot, but only because I've made sure to really lower my expectations.
The story line is pretty decent, if a little corny and tacky. All grown up and celebrating her 24th birthday, Molly (Sarah Lind, a fine actress given bad instructions by an obviously mediocre director) secretly awaits the conclusion of her destiny - to give birth to Satan. To her aid come Laurie Hawthorne (Gina Holden), her doctor at the mental institution, and John Barrow (Devon Sawa), a former priest stripped of his authority after an error of judgment in his previous exorcism cause the death of his fellow priest and the possessed woman. Consumed by guilt and regret, Barlow hopes to salvage his soul by helping Molly.
Besides the story, decent acting and pretty good characters - everything else is the same let down I've grown to expect after the first film. Director Steven R. Monroe has taken screenwriter Matt Venne's good enough story and botched it with blunt and preposterous overacting, attempting to achieve a dramatic effect but failing. Both Molly and Barrow are overly melodramatic, with dialogues and monologues resembling fan-fiction written by an enthusiastic junior- high fan-girl. Absolutely nothing about the film original, and some scenes seem to have shamelessly stolen (flies and vomit from The Exorcism, the twisted crawling on all fours from The Ring/Ringu, and the hidden antagonist from The Last Exorcism, for instance). And then, of course, the completely unnecessary nudity and sex scene in the beginning... Any Horror film using that pathetic cheat is not to be taken seriously unless other aspects of it are a total divine masterpiece, which is not nearly the case for The Exorcism of Molly Hartley.
All in all, anything and everything that makes for a good exorcism film is stolen (and no, not in the way of tribute and homage, simply in the way of "I got nothing, let's steal it"). This includes the forced plot twist. Am I glad I've given this film a chance? Yes (as it's quite entertaining if one expects it to be terrible). Have I been pleasantly surprised? Absolutely not. Still beats the first film, but hardly.
The story line is pretty decent, if a little corny and tacky. All grown up and celebrating her 24th birthday, Molly (Sarah Lind, a fine actress given bad instructions by an obviously mediocre director) secretly awaits the conclusion of her destiny - to give birth to Satan. To her aid come Laurie Hawthorne (Gina Holden), her doctor at the mental institution, and John Barrow (Devon Sawa), a former priest stripped of his authority after an error of judgment in his previous exorcism cause the death of his fellow priest and the possessed woman. Consumed by guilt and regret, Barlow hopes to salvage his soul by helping Molly.
Besides the story, decent acting and pretty good characters - everything else is the same let down I've grown to expect after the first film. Director Steven R. Monroe has taken screenwriter Matt Venne's good enough story and botched it with blunt and preposterous overacting, attempting to achieve a dramatic effect but failing. Both Molly and Barrow are overly melodramatic, with dialogues and monologues resembling fan-fiction written by an enthusiastic junior- high fan-girl. Absolutely nothing about the film original, and some scenes seem to have shamelessly stolen (flies and vomit from The Exorcism, the twisted crawling on all fours from The Ring/Ringu, and the hidden antagonist from The Last Exorcism, for instance). And then, of course, the completely unnecessary nudity and sex scene in the beginning... Any Horror film using that pathetic cheat is not to be taken seriously unless other aspects of it are a total divine masterpiece, which is not nearly the case for The Exorcism of Molly Hartley.
All in all, anything and everything that makes for a good exorcism film is stolen (and no, not in the way of tribute and homage, simply in the way of "I got nothing, let's steal it"). This includes the forced plot twist. Am I glad I've given this film a chance? Yes (as it's quite entertaining if one expects it to be terrible). Have I been pleasantly surprised? Absolutely not. Still beats the first film, but hardly.