The Commissar (1967)
9/10
A very small and personal scope used to talk about much more
24 October 2015
Warning: Spoilers
Many elements in this film are about getting closer to the story, and the characters. One of the earliest indications of this intent is the camera- it is very lively throughout the film, and one of the repeating motifs is of it coming closer to scene- first physically but then much closer than even that. The camera moves like a person in the scene, only one unafraid of proximity, and very early on we can even see the camera take the viewpoint of a character being pushed inside a building; but strangely that's still the second closest it comes to a character.

During the childbirth scene in this movie, the camera is able to enter a metaphysical place as a metaphor for the main characters current experience- scenes of soldiers and horses. But the movie is just as much about the reality that was used as a metaphor as it was about the 'actual' events.

The scope of the plot is incredibly small as it follows a single family and Klavdia over a few days. but through this very small scope the movie speaks about something much more- about the treatment of Jews, about war, and about the revolution.

This movie gets very close to a few characters and creates an emotional bond between them and the audience. In a word, this movie is very human, creating scenes that are very warm and others that are very sad. And through these few character and events is capable of talking about much more.
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