CAUTION: Plot spoilers present.
PR executive Holly Parker breaks up with her boyfriend & moves out of her shared apartment when she catches her best friend & co-worker Jan Lambert sleeping with him. She moves into the apartment of Tess Kositch, a painfully shy nurse who desperately needs a friend. But as soon as she settles in, Holly notices a strange number of behaviours with Tess, who has a history of convincing her friends to kill themselves in suicide pacts that she keeps getting out of. Tess also kills some of the patients in her care & frequents an underground S&M club. As Holly tries to come to terms with her new friend's lifestyle, Tess plans to drive Holly to suicide, first by killing off her friends.
SINGLE WHITE FEMALE was a thriller that became a hit during the early 1990s – one of a number of psycho-thrillers that made their name at that time. Along with Basic Instinct & the bunny-boiler Fatal Attraction, Single White Female was part of a new era of thriller, which concerned itself less with traditional boogeymen & more with dangerously unstable female characters who latch onto their prey like a lion hunting a gazelle & wreak havoc in their target's families. Despite not exactly leaving the door open for a sequel, SWF somehow managed to spawn a direct-to-video sequel with Single White Female 2: The Psycho in 2005, a good thirteen years after the original came out.
I had a sinking feeling when I hired the DVD & saw the names of Andy Hurst & Ross Helford on the sleeve as the writers – these two had made their name writing various sequels to the classic John McNaughton thriller WILD THINGS, which was actually a parody of the same kind of film that SWF belonged to. What works for a thriller parody doesn't quite work for a serious film like SWF 2. Needless to say, the film doesn't get very far.
The main problem with a direct-to-video sequel such as SWF 2: The Psycho (yeah, I know, the title needed a lot more work) is that you're trying to hit a niche market – fans of early 1990s' psycho-thrillers, mainly – but by hiring a pair of writers who had made themselves known for their parodies of the very genre your film is in, the hope of a serious film goes right outside the window. Indeed most fans of the original film had trashed this sequel badly due to this very reason. But on the other side of the coin, the film emerges remarkably better than I had initially hoped would happen. Helford & Hurst actually manage to do something serious for a change, although they drop the numerous threesomes that come in their bread-&-butter scripts (the Wild Things sequels) & replace it with a much more restrained thriller. It is quite strange to see that with the original, Jennifer Jason Leigh & Bridget Fonda were already big stars when they started work on SWF, yet went ahead with baring their bodies – yet here, Kristen Miller & Allison Lange are complete unknowns but must have had 'no-nudity' clauses put into their contracts, judging by the fact that they both don't appear naked. I suspect that had they allowed themselves to appear starkers, they would have gotten more fans than what ultimately transpired here. Other than that, I had no problem with the acting.
The story is another issue – I didn't buy the heroine's plight due to her character being a complete floozy – Kristen Miller's PR executive deliberately has sex with her client for a promotion yet dumps him when her friend & co-worker does it with him (something that would have worked better were this a Wild Things sequel) & goes through her new friend's personal belongings & spies on her. This I didn't like. Still, the film is not a total loss – the thriller mechanics, once they kick in, do the job reasonably. But as far as sequels go, Single White Female 2: The Psycho is far from what the original film deserved.
PR executive Holly Parker breaks up with her boyfriend & moves out of her shared apartment when she catches her best friend & co-worker Jan Lambert sleeping with him. She moves into the apartment of Tess Kositch, a painfully shy nurse who desperately needs a friend. But as soon as she settles in, Holly notices a strange number of behaviours with Tess, who has a history of convincing her friends to kill themselves in suicide pacts that she keeps getting out of. Tess also kills some of the patients in her care & frequents an underground S&M club. As Holly tries to come to terms with her new friend's lifestyle, Tess plans to drive Holly to suicide, first by killing off her friends.
SINGLE WHITE FEMALE was a thriller that became a hit during the early 1990s – one of a number of psycho-thrillers that made their name at that time. Along with Basic Instinct & the bunny-boiler Fatal Attraction, Single White Female was part of a new era of thriller, which concerned itself less with traditional boogeymen & more with dangerously unstable female characters who latch onto their prey like a lion hunting a gazelle & wreak havoc in their target's families. Despite not exactly leaving the door open for a sequel, SWF somehow managed to spawn a direct-to-video sequel with Single White Female 2: The Psycho in 2005, a good thirteen years after the original came out.
I had a sinking feeling when I hired the DVD & saw the names of Andy Hurst & Ross Helford on the sleeve as the writers – these two had made their name writing various sequels to the classic John McNaughton thriller WILD THINGS, which was actually a parody of the same kind of film that SWF belonged to. What works for a thriller parody doesn't quite work for a serious film like SWF 2. Needless to say, the film doesn't get very far.
The main problem with a direct-to-video sequel such as SWF 2: The Psycho (yeah, I know, the title needed a lot more work) is that you're trying to hit a niche market – fans of early 1990s' psycho-thrillers, mainly – but by hiring a pair of writers who had made themselves known for their parodies of the very genre your film is in, the hope of a serious film goes right outside the window. Indeed most fans of the original film had trashed this sequel badly due to this very reason. But on the other side of the coin, the film emerges remarkably better than I had initially hoped would happen. Helford & Hurst actually manage to do something serious for a change, although they drop the numerous threesomes that come in their bread-&-butter scripts (the Wild Things sequels) & replace it with a much more restrained thriller. It is quite strange to see that with the original, Jennifer Jason Leigh & Bridget Fonda were already big stars when they started work on SWF, yet went ahead with baring their bodies – yet here, Kristen Miller & Allison Lange are complete unknowns but must have had 'no-nudity' clauses put into their contracts, judging by the fact that they both don't appear naked. I suspect that had they allowed themselves to appear starkers, they would have gotten more fans than what ultimately transpired here. Other than that, I had no problem with the acting.
The story is another issue – I didn't buy the heroine's plight due to her character being a complete floozy – Kristen Miller's PR executive deliberately has sex with her client for a promotion yet dumps him when her friend & co-worker does it with him (something that would have worked better were this a Wild Things sequel) & goes through her new friend's personal belongings & spies on her. This I didn't like. Still, the film is not a total loss – the thriller mechanics, once they kick in, do the job reasonably. But as far as sequels go, Single White Female 2: The Psycho is far from what the original film deserved.