I'm quite a big fan of French director Claude Chabrol's work that I have seen. This spy thriller is the earliest film of his that I have encountered and, to be honest, it's also the worst one so far in my opinion. It was one of many 60's spy films made at the time, a genre that was at the zenith of its popularity in that decade. The story involves NATO radar being jammed by some secret devices located somewhere in Greece. An American agent investigating this is killed and his wife then goes on the run while trying to solve the mystery.
Frankly, it's a very uninteresting story-line and one that unfortunately makes matters worse by playing things for laughs a lot of the time. I guess this would be okay if it was even remotely funny but the result is more of a very light-weight and silly film. It's very much a million miles away from the more austere films that are for the most part typical of Chabrol. In fact after this movie he was about to begin a run of extremely interesting serious minded thrillers which must surely constitute the best phase of his career. He was far better when he made movies that focused on psychologically complex character relationships. Like his hero Alfred Hitchcock, with Torn Curtain (1966) and Topaz (1969), he came unstuck when he made populist, straight-forward 60's spy thrillers, the results being far less interesting than his darker psychological works. The film is by no means a total washout though; after all it has exotic locations and the super chic actress Jean Seberg in the lead role. It's more overtly stylised than most Chabrol films, although admittedly his lower-key style was far better suited to him. So it's superficially quite good fun to an extent but is undoubtedly a weak film from this great director.
Frankly, it's a very uninteresting story-line and one that unfortunately makes matters worse by playing things for laughs a lot of the time. I guess this would be okay if it was even remotely funny but the result is more of a very light-weight and silly film. It's very much a million miles away from the more austere films that are for the most part typical of Chabrol. In fact after this movie he was about to begin a run of extremely interesting serious minded thrillers which must surely constitute the best phase of his career. He was far better when he made movies that focused on psychologically complex character relationships. Like his hero Alfred Hitchcock, with Torn Curtain (1966) and Topaz (1969), he came unstuck when he made populist, straight-forward 60's spy thrillers, the results being far less interesting than his darker psychological works. The film is by no means a total washout though; after all it has exotic locations and the super chic actress Jean Seberg in the lead role. It's more overtly stylised than most Chabrol films, although admittedly his lower-key style was far better suited to him. So it's superficially quite good fun to an extent but is undoubtedly a weak film from this great director.