This was made back then when Sweden could provide real good adolescent series, quite unlike the awkward pursuits of today.
The story is exciting though somewhat far-fetched, and has an interesting, ambiguous end.
The main point is not the strained social criticism that pesters equivalent Swedish productions from the mid-70s and onward, but rather a mischievous little prank.
Refreshing.
Leif Krantz, the director, was gradually inclining towards the leftish standards of the 70s, and his subsequent series started having reference of the kind. He may nevertheless boast of directing an impressive number of successful Swedish television series, most of which were blockbusters.
The story is exciting though somewhat far-fetched, and has an interesting, ambiguous end.
The main point is not the strained social criticism that pesters equivalent Swedish productions from the mid-70s and onward, but rather a mischievous little prank.
Refreshing.
Leif Krantz, the director, was gradually inclining towards the leftish standards of the 70s, and his subsequent series started having reference of the kind. He may nevertheless boast of directing an impressive number of successful Swedish television series, most of which were blockbusters.