Lacking the motivation that made the musical Sweeney Todd more understandable (if equally as reprehensible), Tod Slaughter's Sweeney is a barber of impeccable reputation who seems to slit throats just in order to rob his victims. Of course, he's also a dyslexic Sweeney, flipping the switch to have his barber chair turn upside down, knocking his victims out, and then slicing and dicing so meat pie shop owner Stella Rho can grind em' up. Most of the musical's characters are there, but the villainous Judge Turpin has been changed into a local aristocrat without the lecherous motivations that made that character's dispatchment the most anticipated murder in the musical. The rivalry is between Sweeney and the character of Mark, a sailor in love with Johanna, the governor's daughter. Mark, of course, became the character of Anthony in the musical, a friend of Sweeney's, but here, Slaughter's intentions are to knock him off so he can get Johanna (his daughter in the musical) for himself.
The character of the Beedle, so slimy in the musical, has simply been changed into an imperious authoritative character, almost the twin of "Oliver Twist's" Mr. Bumble. The art direction of the connected shops is fascinating, watching Mrs. Lovett leave her pie shop (after giving poor Tobias a huge pie for a penny) and go into the catacombs to get into Sweeney's barber shop. There's no love lost between the two, as evidenced by his cheating her out of half the take of one of his victims, so most of the classic conflict is gone. Even at just over an hour, this "Sweeney" is rather boring, even when comparing to Slaughter's other histrionic melodramas and not taking into account the musical which help make this tale even more of a legend 40 plus years later.
The character of the Beedle, so slimy in the musical, has simply been changed into an imperious authoritative character, almost the twin of "Oliver Twist's" Mr. Bumble. The art direction of the connected shops is fascinating, watching Mrs. Lovett leave her pie shop (after giving poor Tobias a huge pie for a penny) and go into the catacombs to get into Sweeney's barber shop. There's no love lost between the two, as evidenced by his cheating her out of half the take of one of his victims, so most of the classic conflict is gone. Even at just over an hour, this "Sweeney" is rather boring, even when comparing to Slaughter's other histrionic melodramas and not taking into account the musical which help make this tale even more of a legend 40 plus years later.