There is a lot about this sprawling Western that resembles SHANE.
Again, Ladd plays a quiet man who is tired of killing. Here, though, he is not a gunfighter, but rather an experienced soldier who learned to use a hand gun very well.
The real star of this film, though, isn't either hero Ladd or heroine Virginia Mayo, but Edmond O'Brien.
O'Brien's character becomes a parallel to the Stonewall character of Elisha Cook, Jr. in Shane. The similarities are more in what happens with the character than in the character.
However, unlike Stonewall, who is simply a pathetic doomed soul with little input in SHANE, O'Brien is given a chance to eat the scenery here, going from drunk to respected architect to manager of a new town to peace keeper for the town.
The story is his. We even get to see him with family. He begins at the low end of the totem pole, then rises to great achievement, only to find himself in a situation where he must make a terrible decision.
In ways, this film is superior to SHANE, and SHANE is a classic. The bad guys, however, were cloned too much after Jack Palance's Wilson, and therein lies the weakness. There are two sadistic bad men here, and their characters just aren't fresh, and too much like Wilson.
Still, it's got a lot of character, and a lot of characters who make this a top Western.
Again, Ladd plays a quiet man who is tired of killing. Here, though, he is not a gunfighter, but rather an experienced soldier who learned to use a hand gun very well.
The real star of this film, though, isn't either hero Ladd or heroine Virginia Mayo, but Edmond O'Brien.
O'Brien's character becomes a parallel to the Stonewall character of Elisha Cook, Jr. in Shane. The similarities are more in what happens with the character than in the character.
However, unlike Stonewall, who is simply a pathetic doomed soul with little input in SHANE, O'Brien is given a chance to eat the scenery here, going from drunk to respected architect to manager of a new town to peace keeper for the town.
The story is his. We even get to see him with family. He begins at the low end of the totem pole, then rises to great achievement, only to find himself in a situation where he must make a terrible decision.
In ways, this film is superior to SHANE, and SHANE is a classic. The bad guys, however, were cloned too much after Jack Palance's Wilson, and therein lies the weakness. There are two sadistic bad men here, and their characters just aren't fresh, and too much like Wilson.
Still, it's got a lot of character, and a lot of characters who make this a top Western.