HARPOON: THE REYKJAVIK WHALE WATCHING MASSACRE is billed as Iceland's first horror film and their answer to THE Texas CHAIN SAW MASSACRE, with the action shifted to an inhospitable landscape and a ship. Unfortunately, it turns out to be as dull-witted and laughable as many a Hollywood slasher sequel, a film that strives to be horrific and entertaining and yet which ends up a mess.
The first half of the film sets up the cast, which is fair enough, but it doesn't help that most of the characters are intensely irritating (with the exception of the black guy and the Japanese girl). Gunnar Hansen pops up for a worthless cameo, but after that we're mired in a mess of horror film clichés and predictable death sequences. It's all badly written and quite badly directed, two things which sap enjoyment from the production.
One thing HARPOON does have going for it are some explicit gore sequences, although these aren't quite as grisly as you'd expect, with the emphasis being on the staging of each effect rather than going all-out to gross-out the viewer. But such moments aren't enough to save what is another forgettable, lamentable horror yarn.
The first half of the film sets up the cast, which is fair enough, but it doesn't help that most of the characters are intensely irritating (with the exception of the black guy and the Japanese girl). Gunnar Hansen pops up for a worthless cameo, but after that we're mired in a mess of horror film clichés and predictable death sequences. It's all badly written and quite badly directed, two things which sap enjoyment from the production.
One thing HARPOON does have going for it are some explicit gore sequences, although these aren't quite as grisly as you'd expect, with the emphasis being on the staging of each effect rather than going all-out to gross-out the viewer. But such moments aren't enough to save what is another forgettable, lamentable horror yarn.