7/10
this could be the best looking Venice on film
9 March 2014
My third Ugo Liberamore film and it seems unlikely I'll get the chance to see any more. These three, The Sex Of Angels, May Morning and this were hard enough to get hold of but all very much worth a search. If this Venice set horror is not quite up to the other two, it isn't far off and I enjoyed it. My print was pretty degraded and the film shot in Venice in the winter but I still reckon this could be the best looking Venice on film. Creepy and unsettling with moments of true horror, this intrigues from the very start with the blind boy being led down the narrow alleyways and across the tiny bridges. The music helps keep things from becoming too ordinary and Playboy 'playmate', Rena Niehaus a welcome distraction from some of the more grisly terrors. I've seen this described as a giallo, which it is not and moreover, I have to say, it doesn't crack along like some wild thriller but with Rosemary's Baby and Don't Look Now merely as undertones this is a very different vision of satanism.
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