I have a confession to make. I think that fashion is basically banal. I mean, how much of fashion just isn't recycled over and over again. Not that anyone cares, but I also watch Fashion Police on E! – but only to hear Joan Rivers rip all those celebrities to shreds – that only she can do. h Is there ever really any originality in fashion? I suppose fashionistas would argue otherwise. But all of that is really beside the point. So the main reason I even watched this film was to see how Gina Gershon handled the role of the woman who basically took over the "creative vision" of one of the most edgy designers of our time – perhaps any time.
Given the lack of complexity of fashion itself and what it stands for – the shear shallowness of it all – I thought the writers and actors did a very good job of rendering an interesting film. Gershon captured that cartoonish quality that women like Donatella have – that ridiculous way of taking herself way too seriously. I mean, it's only clothes. I suppose all these high priced designers hinge upon the latest celebrities wearing their stuff - but given that they already had the connections – seems like a bit of a slam dunk. So why on earth they act like they are performing heart surgery is beyond me. Oh, wait! That's what a large portion of anyone who works in entertainment does. Been a long time since I lived in LaLaland – so it's easy to forget. Especially when that is what you are trying to do.
Many designers and creatives have a jerky side, and neither the Gianni nor the Donatella characters disappoint in that regard. The sniping between them is believable --- especially given how big their egos must have been at the time.
However, the one thing that surprised me was how callous Gianni turned out to be – leaving everything to Donatella's daughter, Allegra – rather than to his sister. All in all – campy, vapid good fun and a great source of guilty pleasure. Thanks, Lifetime!
Given the lack of complexity of fashion itself and what it stands for – the shear shallowness of it all – I thought the writers and actors did a very good job of rendering an interesting film. Gershon captured that cartoonish quality that women like Donatella have – that ridiculous way of taking herself way too seriously. I mean, it's only clothes. I suppose all these high priced designers hinge upon the latest celebrities wearing their stuff - but given that they already had the connections – seems like a bit of a slam dunk. So why on earth they act like they are performing heart surgery is beyond me. Oh, wait! That's what a large portion of anyone who works in entertainment does. Been a long time since I lived in LaLaland – so it's easy to forget. Especially when that is what you are trying to do.
Many designers and creatives have a jerky side, and neither the Gianni nor the Donatella characters disappoint in that regard. The sniping between them is believable --- especially given how big their egos must have been at the time.
However, the one thing that surprised me was how callous Gianni turned out to be – leaving everything to Donatella's daughter, Allegra – rather than to his sister. All in all – campy, vapid good fun and a great source of guilty pleasure. Thanks, Lifetime!