We have seen almost every interpretation of Moses and the Exodus. Film, Made for T.V. Movie even the Animated effort(s) and the question remains why did they bother?! There is only one (1) version worth watching and it is shown every year around Easter/Passover on the ABC Network. Cecil B. DeMille's THE TEN COMMANDMENTS, Paramount (1956). Better yet, buy it on DVD and get both his versions.
Yes, we know all the faults of the film. A presentation suitable for a early 20th Century Stage melodrama. SFX that could/should have been tighten up. Plus some over the top acting, but that ignores the positives. Egypt looked like a powerful EMPIRE, which it was. Not some back-water mono-chromatic third world state. When GOD struck down with its POWER, you knew IT meant business. Rameses was a Rat, Nefretiri a over sexed nymphomaniac and Moses true to the Lord, without the second guessing introspective.
What you get in MOSES is a wimp, who whines about doing the Almighty's will. Weasly Hebrews who are not worth saving and SFX which would have been better done in the 1935, let alone in 1995! Plus a musical score which is not forgettable, but not even noticed. It takes more then a strong cast to make a great film. It takes a Director/Producer that loves the subject matter. There is no doubt that DeMille filled the bill in both matters.
Yes, we know all the faults of the film. A presentation suitable for a early 20th Century Stage melodrama. SFX that could/should have been tighten up. Plus some over the top acting, but that ignores the positives. Egypt looked like a powerful EMPIRE, which it was. Not some back-water mono-chromatic third world state. When GOD struck down with its POWER, you knew IT meant business. Rameses was a Rat, Nefretiri a over sexed nymphomaniac and Moses true to the Lord, without the second guessing introspective.
What you get in MOSES is a wimp, who whines about doing the Almighty's will. Weasly Hebrews who are not worth saving and SFX which would have been better done in the 1935, let alone in 1995! Plus a musical score which is not forgettable, but not even noticed. It takes more then a strong cast to make a great film. It takes a Director/Producer that loves the subject matter. There is no doubt that DeMille filled the bill in both matters.