4/10
Hal Roach directing an action adventure with Gilbert Roland as a Frenchman???
4 July 2013
Yes folks this is not an April fool's joke. Some background: in 1930 MGM was profiting by their relationship to Hal Roach Studios by distributing Roach's two reel comedies. Roach Studios could do what MGM could not seem to do - produce funny comedy shorts and supply loan outs of great comedy talents to MGM such as Thelma Todd and, of course, Laurel and Hardy. So in 1930 MGM reciprocated and let Hal Roach stretch his wings and direct an action adventure at their studio. Instead Mr. Roach should have stayed in his own comedy nest.

The film is a bit of a mess, and the whole thing is just so poorly directed. It's obvious MGM just treated this as a throwaway in their budget as a goodwill gesture towards Mr. Roach. None of their A or even B list stars appear in this, and most of the players vanished from sight not long after the transition to sound. The exception - Gilbert Roland as likable Louis Le LeBey, who is suspected of robbing shipments of gold, is hiding gold in his cabin, has a very confused love life, and seems to be on the wrong side of the border - nobody has bothered to coach him to sound French Canadian - as he retains his Spanish accent. Gilbert Roland's performance is the only three dimensional one in the lot as the rest are pure cardboard. I've seen the other players in this film give good performances elsewhere so, once again, this just seems to be a case of bad direction coupled with all of the other problems of early sound film.

Barbara Leonard stars as Nedra, a girl who takes a shine to Louis in spite of the fact her father is one of the robbery victims. Robert Eliot plays a Mountie who seems more like a tough New York policemen dressed up like a Mountie for Halloween. Nina Quartero gives the most bizarre performance of all as she seems to have aspirations to be Louis' girl, yet she both pants over him and spies on him. Then when she's talking to the mounties she tries to hang all over them too.

Watch this one for the "so bad it's good" fun of it all and to see Gilbert Roland develop as a sound actor in spite of the impediments thrown at him here.
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