Following the Great War (aka World War I), three German soldiers vow to stick together through thick and thin. The "Three Comrades" are: temporarily disillusioned Robert Taylor (as Erich Lohkamp), cautiously optimistic Franchot Tone (as Otto Koster) and politically idealistic Robert Young (as Gottfried Lenz). They begin a soon-to-be struggling automobile repair business. The hesitatingly optimistic trio become a quartet upon meeting beautifully fatalistic Margaret Sullavan (as Patricia "Pat" Hollmann). This is, of course, Germany between the two World Wars of the 20th century...
This allegorical film is too American for its own good, but the story holds up well. It benefits greatly by being from a 1936 novel by "All Quiet on the Western Front" (1929) author and young war veteran Erich Maria Remarque. The additional dialog by F. Scott Fitzgerald, Edward E. Paramore Jr. is more astute than askew...
The intent is for Mr. Taylor's protagonist to carry the better qualities of the "Three Comrades" to a full representation of Germany. But, coming on like a cross between Greta Garbo and June Allyson, Ms. Sullavan takes the film away. And, considering the events of the 1940s, her character represented a bigger part of the whole. Sullavan was honored as "Best Actress" of 1938 by the "New York Film Critics" for her prescient performance. Her comrades contribute memorably and director Frank Borzage does exceptionally well with his "Hallelujah Chorus" revenge and some great closing scenes.
******** Three Comrades (6/2/38) Frank Borzage ~ Margaret Sullavan, Robert Taylor, Franchot Tone, Robert Young
This allegorical film is too American for its own good, but the story holds up well. It benefits greatly by being from a 1936 novel by "All Quiet on the Western Front" (1929) author and young war veteran Erich Maria Remarque. The additional dialog by F. Scott Fitzgerald, Edward E. Paramore Jr. is more astute than askew...
The intent is for Mr. Taylor's protagonist to carry the better qualities of the "Three Comrades" to a full representation of Germany. But, coming on like a cross between Greta Garbo and June Allyson, Ms. Sullavan takes the film away. And, considering the events of the 1940s, her character represented a bigger part of the whole. Sullavan was honored as "Best Actress" of 1938 by the "New York Film Critics" for her prescient performance. Her comrades contribute memorably and director Frank Borzage does exceptionally well with his "Hallelujah Chorus" revenge and some great closing scenes.
******** Three Comrades (6/2/38) Frank Borzage ~ Margaret Sullavan, Robert Taylor, Franchot Tone, Robert Young