I'm not a hardcore fan of Shihad, though I was aware of them pretty early on as they got a bit of press in Kerrang! in the early 90's and they were featured on a few different magazine's cover CDs I picked up. 'Home Again' was on one of these, and a few others stood out (Earthtone 9 did a great cover of 'You Again' too) - but I never picked up an album I don't think. I did sort of remember them changing their name around 9/11 but I'd moved on by then.
I watched this documentary hoping it would serve as a gateway into liking more of their stuff (as have done numerous excellent band docs - Mastodon, Cannibal Corpse, um, Anvil). It fails on one hand because there's lots of music but few tracks are heard fully or long enough to latch onto - that said most of what's here sounds good, maybe aside from the industrial stuff but that whole scene was always a mixed bag for me.
Nice to see a bunch of down to earth and personable dudes who've grown up and can look back on their flirtation with fame with a wry smile - although you can tell some people still remember that joke at the showcase (the undoubted highlight of the film) with a little bitterness. The depth with which it goes into the family relationships does have both rewards - the drummer's (grand?)father still hitting every gig fearlessly in his 80's is great - and also feels almost slightly intrusive sometimes, like a professionally filmed home movie for family only. But it's honesty does make it stand proudly aside from the prolific "documentaries" that some "bands" release in theatres these days.
So, I would've dug more tunes, but I heard the ones I knew and liked, and I'll probably download an album or two finally from itunes and give em a spin. Job accomplished.
The ending was a bit abrupt. Are they still active or what? Wikipedia will tell me but whatever. Also - John Cusack called, he wants his head back.
I watched this documentary hoping it would serve as a gateway into liking more of their stuff (as have done numerous excellent band docs - Mastodon, Cannibal Corpse, um, Anvil). It fails on one hand because there's lots of music but few tracks are heard fully or long enough to latch onto - that said most of what's here sounds good, maybe aside from the industrial stuff but that whole scene was always a mixed bag for me.
Nice to see a bunch of down to earth and personable dudes who've grown up and can look back on their flirtation with fame with a wry smile - although you can tell some people still remember that joke at the showcase (the undoubted highlight of the film) with a little bitterness. The depth with which it goes into the family relationships does have both rewards - the drummer's (grand?)father still hitting every gig fearlessly in his 80's is great - and also feels almost slightly intrusive sometimes, like a professionally filmed home movie for family only. But it's honesty does make it stand proudly aside from the prolific "documentaries" that some "bands" release in theatres these days.
So, I would've dug more tunes, but I heard the ones I knew and liked, and I'll probably download an album or two finally from itunes and give em a spin. Job accomplished.
The ending was a bit abrupt. Are they still active or what? Wikipedia will tell me but whatever. Also - John Cusack called, he wants his head back.