Jim Kelly, "introduced" first in MELINDA in 1972 and then again in ENTER THE DRAGON the following year, was one of the more personable of the "point karate" players to try to make it big on The Big Screen. Unfortunately, Kelly put his fate in the hands of director Robert Clouse, who seemed determined to be remembered as a maker of Grade-Z motion pictures. While Kelly was no great acting talent, he DID have enough personality to carry a B-movie like this one- provided the director was on his game (which, in this case, he wasn't). Kelly's limited kicking skills made for some often uninteresting fight scenes (in MELINDA, for instance, he literally had to jump up on the hood of a car to kick a man in the head), especially when he was paired with a real kicker like Dorian Tan (THE TATTOO CONNECTION)- who had no trouble whatsoever outshining his co-star. (Kelly also seemed to have trouble grasping the difference between Reality and Fantasy: at one point, he challenged former heavyweight champion Joe Frazier to a no-holds-barred fight. Kelly lucked out when Frazier laughed off the challenge.) (And it's interesting to note that very few of the "point" karate players went on to full-contact careers when full-contact karate became a reality...) The most glaring example of Kelly's limitations comes in BLACK BELT JONES when he faces off against a bunch of bad guys in a car wash: knee-deep in suds (which are very slippery), his kicking is even less impressive than normal; he literally seems afraid to lose his balance (which is understandable)- and the skinny stunt-double with the outrageously ridiculous afro wig is yet another example of Clouse's misdirection. I saw this one at a walk-in theater when it was first released, and later at a drive-in, and the one constant through all of my viewings has been the realization that this is NOT a good movie- it never was and it ain't NOW.
Review of Black Belt Jones
