L.A.'s New Beverly Cinema recently held an ultra-rare screening of the Italian obscurity, HALLUCINATION STRIP (on screen title, HALLUCINATING STRIP). This is a very odd, but, interesting half-breed between a police procedural (it's original Italian title is: ROMA DROGATA: LA POLIZIA NON PUO INTERVENIRE) and post 60's youth drug film. It's an odd hybrid and you can see why it's drifted into obscurity despite having had a full English track translation, a cult actor (Bud Cort) and a decent 70s Italian Rock score ( Alberto Verrecchia) with accompanying RCA soundtrack release (ironically, that well-done score actually works against the film ever getting a proper USA DVD release with all the song rights issues).
Influenced by films like BLOW UP and EASY RIDER on one side, and THE FRENCH CONNECTION and HIGH CRIME (aka LA POLIZIA INCRIMINA LA LEGGE ASSOLVE) on the other, HALLUCINATION stars off slowly. We are introduced to Massimo (Cort) and his rich girlfriend Cinzia (Annarita Grapputo). Massimo steals an antique box from the house, which brings in the police to the situation, including rogue but honorable cop De Stafani (Marcel Bozzuffi).
Massimo and his youthful friends (supposedly high school students) are involved in drugs (and revolutionary politics). One of his friends is spoiled pampered rich kid named Rudy. In one perverse scene, he is bathed by his mother and a maid. Rudy is planning a "happening" and needs drugs for his party so he gives money to Massimo to buy them. But, Massimo uses the cash to hide away a pair of his co-revolutionary comrades. So, his only collateral is the antique box he stole and he fences it to a drug dealer, code-named "The Sicilian" At the "Happening" drugs (including acid) are freely taken and Rudy has a long trip which gives the film it's American title. Being a policier (or the Italian equivalent, a Poliziotteschi) you can probably guess the morally "justified" ending.
But, it isn't plot that makes HALLUCINATION interesting. It's the vibe. Cort was probably lured to Italy not just because he could have a paid vacation in Rome, but, because of the political and social milieu the film takes place in. The 1968 student protests are explicitly referenced as is the beginnings of the pro-worker and communist movements in Italy. What hurts here is the script's insistence that they are High School students. Cort was 27 when this came out. There's a scene where he tells Cinzia about an experience with a hooker when he was 15 - he's supposed to be around 17, but, he talks about this experience like it happened closer to ten years earlier, not TWO. Perhaps, the Italian version has them as University students?
The acid trip sequence is both visually interesting to look at (and Verrecchia's music is solid) as well as amusing. Let's face it, it's pretty difficult to accurately depict what is in one's mind on screen. The writhing naked body-painted bodies reminds me of those 70s Playboy pictorials where they would hire someone like Salvador Dali to "imagine" his sexual fantasies into an "artistic" porn spread.
HALLUCINATING STRIP is an interesting relic of the 70s, but, you can see why it is so little seen. As a cop film, it's just OK. And, young people attracted to the nudity, drugs and music are, in the end, beaten over the head with a downbeat finale a la EASY RIDER, JOE or PSYCH-OUT. Even, the rare Pro-Drug experience film like Corman's THE TRIP had a shock ending imposed upon it. Can't a hippie just have a Hallucination in peace?
Influenced by films like BLOW UP and EASY RIDER on one side, and THE FRENCH CONNECTION and HIGH CRIME (aka LA POLIZIA INCRIMINA LA LEGGE ASSOLVE) on the other, HALLUCINATION stars off slowly. We are introduced to Massimo (Cort) and his rich girlfriend Cinzia (Annarita Grapputo). Massimo steals an antique box from the house, which brings in the police to the situation, including rogue but honorable cop De Stafani (Marcel Bozzuffi).
Massimo and his youthful friends (supposedly high school students) are involved in drugs (and revolutionary politics). One of his friends is spoiled pampered rich kid named Rudy. In one perverse scene, he is bathed by his mother and a maid. Rudy is planning a "happening" and needs drugs for his party so he gives money to Massimo to buy them. But, Massimo uses the cash to hide away a pair of his co-revolutionary comrades. So, his only collateral is the antique box he stole and he fences it to a drug dealer, code-named "The Sicilian" At the "Happening" drugs (including acid) are freely taken and Rudy has a long trip which gives the film it's American title. Being a policier (or the Italian equivalent, a Poliziotteschi) you can probably guess the morally "justified" ending.
But, it isn't plot that makes HALLUCINATION interesting. It's the vibe. Cort was probably lured to Italy not just because he could have a paid vacation in Rome, but, because of the political and social milieu the film takes place in. The 1968 student protests are explicitly referenced as is the beginnings of the pro-worker and communist movements in Italy. What hurts here is the script's insistence that they are High School students. Cort was 27 when this came out. There's a scene where he tells Cinzia about an experience with a hooker when he was 15 - he's supposed to be around 17, but, he talks about this experience like it happened closer to ten years earlier, not TWO. Perhaps, the Italian version has them as University students?
The acid trip sequence is both visually interesting to look at (and Verrecchia's music is solid) as well as amusing. Let's face it, it's pretty difficult to accurately depict what is in one's mind on screen. The writhing naked body-painted bodies reminds me of those 70s Playboy pictorials where they would hire someone like Salvador Dali to "imagine" his sexual fantasies into an "artistic" porn spread.
HALLUCINATING STRIP is an interesting relic of the 70s, but, you can see why it is so little seen. As a cop film, it's just OK. And, young people attracted to the nudity, drugs and music are, in the end, beaten over the head with a downbeat finale a la EASY RIDER, JOE or PSYCH-OUT. Even, the rare Pro-Drug experience film like Corman's THE TRIP had a shock ending imposed upon it. Can't a hippie just have a Hallucination in peace?