This film is made up of spare parts, but it's still an improvement on the book. It appears that, in turning a book into a movie, it is possible to substitute good acting and production values for sloppy writing. The first 20-odd pages of the book were well-done, and that is replicated in the film. The first 30 minutes or so show a horrific murder scene, and introduce two good, well-acted female characters clashing over the investigation. Near the end of that sequence, the Chinese connection is made, and all credibility goes out the window. The evidence of a Chinese connection is frail & tenuous, but, OK, the scene shifts to Beijing, where we meet a comic-book Chinese villain who is, of course, ruthless, wealthy & powerful for no apparent reason. Actually, "ruthless" can be explained-for the story's purposes-by a violent, xenophobic assault suffered by his father when he was laying track for American railways in the 1860s. This wealthy & powerful guy is maybe 40-45 years old? You do the math. Fortunately,the filmmaker,who is Austrian, opted to omit the book's section set in Africa, which contained some real howlers, and he chooses to end it with the central figure, a Swedish judge, arriving safely back in Stockholm. One peculiarity of this film that can't be blamed on the book's author is the treatment of language. For the US print, of course, the subtitles are in English, but in spite of the settings, i.e., Sweden, China, and very briefly the US, every character on screen speaks German. The Chinese characters are dubbed in German, the lone American character actually speaks good German, and all the Swedes speak serviceable German. Maybe it was made for Austrian TV. Whatever the reason, it was jarring to see Chinese characters, in a subtitled film, delivering lines in German. Another good reason to avoid the scenes set in Africa.
Review of The Man from Beijing
