Found sitting in a bar drinking a beer with a ton of loose change in his pocket, the dour Henry Fonda is arrested and charged with a robbery in another bar where a pinball machine and pool table were emptied of its cash. He is not given an attorney and as a result, defends himself, quickly bringing in a guilty verdict. Incarcerated, Fonda spends every waking moment in the prison library studying the law, and every prisoner watches and waits as he handwrites a letter to the state supreme court to have the verdict overturned. What happens then is the turn around of laws, showing that on occasion, a man in a loosing situation can be the winner.
Just a year before his spectacular Oscar Winning performance in "On Golden Pond", Fonda gave another bravura performance, showing that like many other great actors throughout history, giving a great performance can look extremely easy. While this television film looks liked a filmed stage play, it is certainly never stagey, and that is because you really are interested in seeing how justice is done, even if you are never sure of his guilt or innocence. Fonda is surrounded by a brilliant cast, including Jose Ferrer, Fay Wray, Dolph Sweet, Dolph Sweet, Sam Jaffe and Dean Jagger. Like other great trial dramas (most notably, Fonda's 1956 classic "The Wrong Man"), this is not about finding the guilty party, but simply seeing justice done as the American constitution has promised it would be.
Just a year before his spectacular Oscar Winning performance in "On Golden Pond", Fonda gave another bravura performance, showing that like many other great actors throughout history, giving a great performance can look extremely easy. While this television film looks liked a filmed stage play, it is certainly never stagey, and that is because you really are interested in seeing how justice is done, even if you are never sure of his guilt or innocence. Fonda is surrounded by a brilliant cast, including Jose Ferrer, Fay Wray, Dolph Sweet, Dolph Sweet, Sam Jaffe and Dean Jagger. Like other great trial dramas (most notably, Fonda's 1956 classic "The Wrong Man"), this is not about finding the guilty party, but simply seeing justice done as the American constitution has promised it would be.