Fascinating, unexpectedly deeply moving portrait of Marina Abromovic, who is sometimes called 'the grandmother of performance art" and her hugely successful retrospective at New York's Museum of Modern Art'.
While her past history is never less then tremendously engrossing, the most powerful moments of the film are those showing her new work, unveiled for the retrospective called 'The Artist is Present'. For 3 months, Ms. Abromovic simply sat in a chair all day, taking no breaks, looking into the eyes of any museum guest who sat down opposite her. No talk, and very little movement.
Yet these encounters are tremendously powerful, often moving both participants to tears (and some of us watching the film as well). This is 'art' taken to it's most simple, naked level. Connection between two strangers, each coming away different for the encounter.
While all this may sound dry and theoretic, the pure honest emotion and presence the 63 year old artist brings to her Herculean task make watching the film anything but.
While her past history is never less then tremendously engrossing, the most powerful moments of the film are those showing her new work, unveiled for the retrospective called 'The Artist is Present'. For 3 months, Ms. Abromovic simply sat in a chair all day, taking no breaks, looking into the eyes of any museum guest who sat down opposite her. No talk, and very little movement.
Yet these encounters are tremendously powerful, often moving both participants to tears (and some of us watching the film as well). This is 'art' taken to it's most simple, naked level. Connection between two strangers, each coming away different for the encounter.
While all this may sound dry and theoretic, the pure honest emotion and presence the 63 year old artist brings to her Herculean task make watching the film anything but.