This is a film on an often unexplored aspect of World War II - how couples grew apart after years of separation due to the service of one or both in the military. What makes this film so unusual is that it is exploring the topic - albeit in a rather light hearted and humorous fashion - at the very end of the war rather than a few years later.
In this case the couple (Deborah Kerr as Catherine Wilson and Robert Donat as Robert Wilson) really don't grow apart as a couple as much as they grow as individuals. They are both mousy plain almost invisible people prior to the war, seemingly happy in their routine. Then in the spring of 1940 Robert enters the British navy and Catherine enters the British equivalent of the WAVEs - the WRENs. There they are both tested, find their courage and their voice, and find the attention of and feel attraction to members of the opposite sex, all the while with each remembering the other as they were before the war and feeling somewhat disappointed at the idea of resuming their mousy existences - and marriage - after the war.
Then comes what should be a happy event - after three years apart both are granted a ten days leave - time enough to reunite and get to know each other again ... or not. I'll let you see what happens as they both return to their prewar flat with all the enthusiasm of the condemned to their execution.
Everything in this production is outstanding - cinematography, makeup, and of course stellar jobs by the entire cast. I would have never thought Deborah Kerr and Robert Donat could ever have generated any chemistry together, but the proof is in the pudding. I highly recommend it.
In this case the couple (Deborah Kerr as Catherine Wilson and Robert Donat as Robert Wilson) really don't grow apart as a couple as much as they grow as individuals. They are both mousy plain almost invisible people prior to the war, seemingly happy in their routine. Then in the spring of 1940 Robert enters the British navy and Catherine enters the British equivalent of the WAVEs - the WRENs. There they are both tested, find their courage and their voice, and find the attention of and feel attraction to members of the opposite sex, all the while with each remembering the other as they were before the war and feeling somewhat disappointed at the idea of resuming their mousy existences - and marriage - after the war.
Then comes what should be a happy event - after three years apart both are granted a ten days leave - time enough to reunite and get to know each other again ... or not. I'll let you see what happens as they both return to their prewar flat with all the enthusiasm of the condemned to their execution.
Everything in this production is outstanding - cinematography, makeup, and of course stellar jobs by the entire cast. I would have never thought Deborah Kerr and Robert Donat could ever have generated any chemistry together, but the proof is in the pudding. I highly recommend it.