The slow pace of Bal works to great affect as it explores the tribulations of a young boy not only with the conventional use of a storyline narrative but also with a range of beautiful compositions which equals the sophisticated style of vivid portraits.
Yusuf is a young boy who is an outsider yet vastly intelligent. He is at odds with his school life never fitting in amongst his peers, constantly watching them from a distance along with struggling in parts of his studies. When Yusuf stutters through a reading in class minimal techniques are used, only the camera slowly tracking towards Yusuf and multiple POV shots of school peers focusing on Yusuf in awkward silence contain the scenes vibe yet it strikes such an impact emotionally feeling Yusuf's embarrassment. Whereas watching Yusuf with his Father in a simple static shot as they work and explore in the local woodlands shows his deep connection with nature by knowing the names and mannerisms of various plants, it is wonderful to witness the bond the pair have and to feel Yusuf's tranquillity. The techniques used to capture these moments are simple yet effective showing the brilliance of Bal.
Bal contains strong visual elements not only in the minimal techniques used to capture Yusuf's story but in the compositions which are styled with outstanding detail. Yusuf sat alone in a barn facing the camera in mostly dark lighting to inhabit his depressing mood before the head of his Father's donkey appears from behind Yusuf to provide comic relief convey his mood in the same manner a later dream sequence. After his Father goes missing Yusuf begins to have haunting dreams, one of which is himself stood alone in the forest with the visuals being one of a greyish palette before dead bees drop into his hand as a foreboding of his Father's death.
In a way it is hard to describe Bal as a film because its much more. Bal is a piece of visual art that transcends from its quiet storyline to present the atmosphere and emotions embedded in Yusuf's life as well as those around him with striking use of compositions and ingenuity. Bal is not a viewing experience for everyone, only those who appreciate the visual sophistication celluloid can offer will be moved by this film.
Yusuf is a young boy who is an outsider yet vastly intelligent. He is at odds with his school life never fitting in amongst his peers, constantly watching them from a distance along with struggling in parts of his studies. When Yusuf stutters through a reading in class minimal techniques are used, only the camera slowly tracking towards Yusuf and multiple POV shots of school peers focusing on Yusuf in awkward silence contain the scenes vibe yet it strikes such an impact emotionally feeling Yusuf's embarrassment. Whereas watching Yusuf with his Father in a simple static shot as they work and explore in the local woodlands shows his deep connection with nature by knowing the names and mannerisms of various plants, it is wonderful to witness the bond the pair have and to feel Yusuf's tranquillity. The techniques used to capture these moments are simple yet effective showing the brilliance of Bal.
Bal contains strong visual elements not only in the minimal techniques used to capture Yusuf's story but in the compositions which are styled with outstanding detail. Yusuf sat alone in a barn facing the camera in mostly dark lighting to inhabit his depressing mood before the head of his Father's donkey appears from behind Yusuf to provide comic relief convey his mood in the same manner a later dream sequence. After his Father goes missing Yusuf begins to have haunting dreams, one of which is himself stood alone in the forest with the visuals being one of a greyish palette before dead bees drop into his hand as a foreboding of his Father's death.
In a way it is hard to describe Bal as a film because its much more. Bal is a piece of visual art that transcends from its quiet storyline to present the atmosphere and emotions embedded in Yusuf's life as well as those around him with striking use of compositions and ingenuity. Bal is not a viewing experience for everyone, only those who appreciate the visual sophistication celluloid can offer will be moved by this film.