Well...I went to the premier, I felt older and uglier than everyone else there, I had huge expectations due to the Irvine Welsh endorsement of the project, and the knowledge Trainspotting was and is the king of UK indie films , so I was set up for a miserable cold rainy Tuesday evening in South East London and remembering that the last time I walked through the doors of the Ministry of Sound, I only managed to stay in there for about 20 minutes before being ejected..(use your imagination
20 years ago I might add) , added to my fear of another deflated experience at the birth place off Vodka Jellies and Mecca of modern dance music . I took my seat and tucked into the free popcorn. The lights dimmed the film rolled and the music started, my ears pricked and after the 4 beats in a bar huge bass smashed through my eardrums and made my heart beat dance in time with it - I was back in the club on the podium semi naked smiling from ear to ear and chewing my jaw off !!
I couldn't believe how Rob Heydon has nailed the clubbing experience so well , having seen him on an interview for the film , he comes across as though he'd be better suited to directing a Surbiton church hall adaptation of 'The Good Life ' ... how wrong I was , he must have done some serious damage in his day because to interpret to this level of accuracy meant he was there ! The acting was superb, really mature actors nailing their characters , having seen a clip , I immediately was comparing Adam with Ewan Mc Gregor before Adam had even spoke a word , I needn't have bothered , Adam has huge personality that comes across very well , he looks and sounds great and he is quite obviously his own man and made this 'his' film Another thing that was totally unexpected, in fact 'unexpectedly brilliant' was the cinematography was nothing short of top notch . I hope you like this film, if like me you were there, you can only attest to its accuracy, it walks the fine line well of showing how the drugging club culture does allow colourful imagination and frees the most repressed spirit but like any drug or alcohol fuelled experience the time to pay the piper will come and you can be sure the piper will asked to be paid when your least capable of paying him, Heydon portraits this with the reverence it deserves . Well done great film !!
I couldn't believe how Rob Heydon has nailed the clubbing experience so well , having seen him on an interview for the film , he comes across as though he'd be better suited to directing a Surbiton church hall adaptation of 'The Good Life ' ... how wrong I was , he must have done some serious damage in his day because to interpret to this level of accuracy meant he was there ! The acting was superb, really mature actors nailing their characters , having seen a clip , I immediately was comparing Adam with Ewan Mc Gregor before Adam had even spoke a word , I needn't have bothered , Adam has huge personality that comes across very well , he looks and sounds great and he is quite obviously his own man and made this 'his' film Another thing that was totally unexpected, in fact 'unexpectedly brilliant' was the cinematography was nothing short of top notch . I hope you like this film, if like me you were there, you can only attest to its accuracy, it walks the fine line well of showing how the drugging club culture does allow colourful imagination and frees the most repressed spirit but like any drug or alcohol fuelled experience the time to pay the piper will come and you can be sure the piper will asked to be paid when your least capable of paying him, Heydon portraits this with the reverence it deserves . Well done great film !!