Review of Lolita 2000

Lolita 2000 (1998)
10/10
A TRUE CLASSIC - swelling music and breathtaking performances from every hair piece
15 April 2012
Warning: Spoilers
An odyssey to remember. I simply cannot remember the last time I was so moved. To start with we are presented with the beautiful Lolita, (soon to be) scantily clad space censorship warden, and the perfect hostess to our magical journey through time, space, and beyond.

Lolita shows us an astoundingly erotic range of clips, with a titantic amount of god-gifted breasts and sculpted arses.

Our first tale takes us into the realms of art. Sherri, a stunning brunette with obvious psychological troubles allows us to probe deep into her psyche, as we discover her long hidden secret. Initially sparked by the traumatic sighting of horrendously fake boobs at her art class, Sherri steadily begins to remember her sordid past. The symbolism of a ring being taken was moving and maturely modernistic in its application to this genre, creating a stunning segment of erotic cinema. I was really turned on. I especially enjoyed the cameo appearance of Sasha, the Italian with questionable trauma-coping reflexes.

Lolita's second tale was set in the darkly moody space prison, reminiscent of the best of film noir of this cinematic period. Emblazoned in PVC, the dominating prison guard gave an excellent performance, overshadowed perhaps only by the inmates' hair, which gave breathtaking personality to their roles. Credibility was further added to the various races through the sparing use of makeup to give an overall natural look to the impoverished inmates.

Our final tale was set in the diner with a difference. What a plot twist! Unburdoned by the strings of time, the diner was host to a plethora of erotic encounters, spanning entire eras, from Neolithic to the future, where leather-tassled mattress wrestling is an everyday sport. This insightful view into what is to come gave added realism to the overall project, and truly made the film a classic.

Compounded throughout by an astonishing use of atmospheric and swelling music of breathtaking variety, Lolita 2000 can truly be revered as the film of our generation. In times to come, undoubtedly it will be held up among such greats as Casablanca, Ben Hur, and Psycho, as a film that truly reflected the zeitgeist of the time.

A must see!!
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