Review of Overtime

Overtime (III) (2011)
10/10
Longtime fan of Matt Niehoff's directing career delves into why Overtime is his greatest masterpiece thus far.
16 March 2012
Warning: Spoilers
First off, I'm a longtime fan of director Matt Niehoff's work. Everything from his projects at SCAD to his current opus allow you into this amazingly talented director's gleefully disturbed mind. I have been into movies since I was old enough to watch the big screen and Overtime truly does bring everything you could want in a film to the table. First off, Snow and Well's on-screen chemistry is incredible. From start to finish they call to memory the Marx Brothers, Oliver and Hardy - you name it! These guys are hilarious. I watched Overtime in a church and was causing God to come by and ask, "why dost thou L.O.L in my house?" The Zaliens are actually creepy and hands off to the whole make-up department for horror effects that rival Savini's. The action is relentless and the bad guys do a great acting job because I was glad to see them die. At least in the movie. The camera work is pretty intense. The slow-mo scenes are awesome and help to make Max and Raphael worthy of a Jack Burton thumbs up. I love the soundtrack featuring blistering guitar work and, when necessary, an eerie score. It really set the mood in each scene, making the whole film an enjoyable ride from start to finish. The plot line is so well played out that I had to keep watching. A little action, a little sci-fi, a little horror, a lot of comedy, and an awesome movie. A Hit-man who is more family-man than assassin, yet saves the world from a Zalien apocalypse all in time to make it home for their kid's birthday? Sound strange? Welcome to the world of Overtime and the first of many of Matt Niehoff's great masterpieces.
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