Of course, when you talk about remakes, you instantly make comparisons to the original. The original 1984 film "Footloose" had a ridiculous plot and cheesy acting, but with some neat choreography and classic music, that contributed to its charm. Was a remake of "Footloose" necessary? I don't think so. I approached this one expecting the worst. Fortunately, the movie wasn't awful. In fact, at moments, it's quite good.
Boston resident Ren McCormack moves to the small town of Bomont, where everything to the adults is religion and dancing isn't allowed. After a tragedy that occurred ten years ago, the town decided that any dancing or teenage activity is just wrong. Many teenagers are still breaking the rules, including Reverend Shaw Moore's daughter Ariel. Soon enough, Ren leads the pack in fighting to abolish the no-dancing law.
This remake is almost a scene-for-scene, line-for-line adaptation (the original film's writer Dean Pitchford co-wrote the script), so that certainly sets the film slightly on the wrong track.
But it should really come down to how the actors portray their characters, and there are some highlights of disappointment. Newcomer Kenny Wormald as Ren has his benefits, being a professional dancer. He sports some good choreography, especially in what I like to call "the angry dance" scene. However, some elements of believability are missing. At times, I didn't believe Ren's rebellious nature, unlike with Kevin Bacon's portrayal in 1984. Wormald seems afraid of his actions, which probably won't sit well with fans of the original. As for Ariel, Julianne Hough falls into Wormald's category. She is also a professional dancer, and her solo work during the film is energetic and entertaining. Her acting chops are decent, surprisingly. But the fact that she is almost 30 years old hurts her performance and makes us think her age doesn't fit the role. Dennis Quaid is still hamming it up in his movies, but actually holds back here as Ariel's father. There are some nice moments of father-daughter confrontation and Quaid's care for his family is a nice icing on the cake. Andie MacDowell's screen time as Vi Moore, Shaw's wife, is minimal. She almost disappears into the set.
The best actor here is Miles Teller as Ren's buddy Willard. Teller is funny and likable, and the sequence where he finally learns to dance is nifty and enjoyable.
And then there's the soundtrack, one of the film's biggest challenges. The original's music is a stand-out and still has people dancing to it. Over four songs from the original have been covered, and since director Craig Brewer (known for "Black Snake Moan" and "Hustle and Flow") has Southern roots in him, the soundtrack has a lot of country twang to it, but settles for a few hip-hop moments. One cover of "Holding Out For A Hero" is quirky and interesting. Blake Shelton's shot at the Kenny Loggins title classic is not bad. But then there are moments when the music falls flat. Jana Kramer's rendition of "Let's Hear It For The Boy" is missing the stylish 80's funk of the original. And last, we have the classic love theme "Almost Paradise," originally performed by Mike Reno and Ann Wilson. Victoria Justice and Hunter Hayes try their hand at this emotional classic, and the emotion feels stripped away. What was once a wonderful and vibrant ballad has turned into a Disney track.
Overall, the movie does have its strong points. The choreography is fantastic, and the acting sure isn't terrible. But the story of "Footloose" is dated by now and remains a fine display of an 80's guilty pleasure. This is just a carbon copy of the original that lacks some of its pizazz. The 1984 movie was cheesy to a hilt, and we love it for that. So why does the remake sometimes take itself too seriously? Pre-teens might find this one a blast. Die-hard fans of the original will be split right down the middle. But since I am a fan, Craig Brewer's "Footloose" could have been much worse.
Boston resident Ren McCormack moves to the small town of Bomont, where everything to the adults is religion and dancing isn't allowed. After a tragedy that occurred ten years ago, the town decided that any dancing or teenage activity is just wrong. Many teenagers are still breaking the rules, including Reverend Shaw Moore's daughter Ariel. Soon enough, Ren leads the pack in fighting to abolish the no-dancing law.
This remake is almost a scene-for-scene, line-for-line adaptation (the original film's writer Dean Pitchford co-wrote the script), so that certainly sets the film slightly on the wrong track.
But it should really come down to how the actors portray their characters, and there are some highlights of disappointment. Newcomer Kenny Wormald as Ren has his benefits, being a professional dancer. He sports some good choreography, especially in what I like to call "the angry dance" scene. However, some elements of believability are missing. At times, I didn't believe Ren's rebellious nature, unlike with Kevin Bacon's portrayal in 1984. Wormald seems afraid of his actions, which probably won't sit well with fans of the original. As for Ariel, Julianne Hough falls into Wormald's category. She is also a professional dancer, and her solo work during the film is energetic and entertaining. Her acting chops are decent, surprisingly. But the fact that she is almost 30 years old hurts her performance and makes us think her age doesn't fit the role. Dennis Quaid is still hamming it up in his movies, but actually holds back here as Ariel's father. There are some nice moments of father-daughter confrontation and Quaid's care for his family is a nice icing on the cake. Andie MacDowell's screen time as Vi Moore, Shaw's wife, is minimal. She almost disappears into the set.
The best actor here is Miles Teller as Ren's buddy Willard. Teller is funny and likable, and the sequence where he finally learns to dance is nifty and enjoyable.
And then there's the soundtrack, one of the film's biggest challenges. The original's music is a stand-out and still has people dancing to it. Over four songs from the original have been covered, and since director Craig Brewer (known for "Black Snake Moan" and "Hustle and Flow") has Southern roots in him, the soundtrack has a lot of country twang to it, but settles for a few hip-hop moments. One cover of "Holding Out For A Hero" is quirky and interesting. Blake Shelton's shot at the Kenny Loggins title classic is not bad. But then there are moments when the music falls flat. Jana Kramer's rendition of "Let's Hear It For The Boy" is missing the stylish 80's funk of the original. And last, we have the classic love theme "Almost Paradise," originally performed by Mike Reno and Ann Wilson. Victoria Justice and Hunter Hayes try their hand at this emotional classic, and the emotion feels stripped away. What was once a wonderful and vibrant ballad has turned into a Disney track.
Overall, the movie does have its strong points. The choreography is fantastic, and the acting sure isn't terrible. But the story of "Footloose" is dated by now and remains a fine display of an 80's guilty pleasure. This is just a carbon copy of the original that lacks some of its pizazz. The 1984 movie was cheesy to a hilt, and we love it for that. So why does the remake sometimes take itself too seriously? Pre-teens might find this one a blast. Die-hard fans of the original will be split right down the middle. But since I am a fan, Craig Brewer's "Footloose" could have been much worse.