The storyline that goes something like
A coming of age story of teen-age girls in a preppy boarding school, and the R rating, had me believing there would be sex involved and some nudity, which similar basic plots usually have. It was a somewhat serious story, the way it unfolded and how it was written; the script had some narrative that sounded at times more like 'monologuing' than narrative, but it's okay, though I prefer narrative to be more traditional. Of course, I was right about the nudity and the sex, but it did not feel exploitive. The lead, Rooney Mara was twenty four when the movie was made and so playing an 18 year old was sort of a squeeze. She delivered what I think the role called for, but needs to improve her diction by enunciating (something the director should have corrected); I find the near mumbling unacceptable for a lead actor, even if it's not constant. Exception for Nick Nolte who does it on purpose for effect. I trust Mara has had better direction in her massive new role as the new Lisbeth Salander; she was much better in Social Network.
Anecdotally, I think I noticed a slight barely perceptible squint/cross when Mara was looking to the side. Rachel Weis use to have that when she stared directly at co-stars (it has since been corrected apparently) and I find that gives a certain allure, a wile one might say; it's the minor imperfections that attract us to some people more than others I once read.
None of the principal actresses played characters which had a joyful or happy life. The boarding school for well to-do young girls was their home. There was a narrative line by Mara I will hopefully recall when I need it, because it was a simple but perfect description of the school and also made for a good metaphor "Tanner Hall is majestic but crumbling". Given the building's size, architecture and age, this was the best and most fitting description.
The other three close schoolmates were also attractive. Only two characters had sympathetic roles, Mr. Middlewood, played by Chris Kattan, and Hank, played by Shawn Pyfrom. Kattan had a more important supporting role as a literature professor; I think he was picked because his character was one who was seriously being teased for arousal by one of his student, Kate played by Brie Larson, and also by his wife played by Amy Sedaris. The Middlewoods attempt at sex was a riot; without them the movie would have been a little too boring for me. The affair between Mara and Tom Everett Scott, who played Gio, was so predictable in all aspects that I found little interest in it. You might want to pass on this film; I watched it all because I have an appetite for quantity almost as much as I do for quality. You would want to see it if you watch an inordinate quantity of movies, otherwise pass.
Anecdotally, I think I noticed a slight barely perceptible squint/cross when Mara was looking to the side. Rachel Weis use to have that when she stared directly at co-stars (it has since been corrected apparently) and I find that gives a certain allure, a wile one might say; it's the minor imperfections that attract us to some people more than others I once read.
None of the principal actresses played characters which had a joyful or happy life. The boarding school for well to-do young girls was their home. There was a narrative line by Mara I will hopefully recall when I need it, because it was a simple but perfect description of the school and also made for a good metaphor "Tanner Hall is majestic but crumbling". Given the building's size, architecture and age, this was the best and most fitting description.
The other three close schoolmates were also attractive. Only two characters had sympathetic roles, Mr. Middlewood, played by Chris Kattan, and Hank, played by Shawn Pyfrom. Kattan had a more important supporting role as a literature professor; I think he was picked because his character was one who was seriously being teased for arousal by one of his student, Kate played by Brie Larson, and also by his wife played by Amy Sedaris. The Middlewoods attempt at sex was a riot; without them the movie would have been a little too boring for me. The affair between Mara and Tom Everett Scott, who played Gio, was so predictable in all aspects that I found little interest in it. You might want to pass on this film; I watched it all because I have an appetite for quantity almost as much as I do for quality. You would want to see it if you watch an inordinate quantity of movies, otherwise pass.