One of the great things about HD filmmaking is its affordability. These days pretty much anyone with the willpower and a few months savings can buy a camera and make their vision a reality. This is great for the artist on a shoestring budget with a unique and creative story to tell, but the problem is most peoples vision is of little interest to anyone but themselves. Pinching Penny fits into the latter category.
As reviewers have said before, Pinching Penny is a film that takes stock characters from myriad other films and places them in situations where they clearly don't belong. The result is an entirely disjointed and unbelievable experience that, in the end, plays out like an overly-long student film. Now, I can tolerate the occasional student film when it has something interesting to say, but Pinching Penny seems so detached from reality that I wonder if the director incorporated any of his personal experiences into this movie at all, or if its entirely fabricated out of bits and pieces he's picked from other films.
Perhaps the saddest part of all is the fact that so many have given this movie a ten star rating. If Dan Glaser ever hopes to evolve as a filmmaker he'd do best to ignore these high scores, which have clearly been padded by his family and friends, and acknowledge his shortcomings as a storyteller. Once he does this and starts drawing from his own experiences, he'll hopefully be able to give us something worth watching.
As reviewers have said before, Pinching Penny is a film that takes stock characters from myriad other films and places them in situations where they clearly don't belong. The result is an entirely disjointed and unbelievable experience that, in the end, plays out like an overly-long student film. Now, I can tolerate the occasional student film when it has something interesting to say, but Pinching Penny seems so detached from reality that I wonder if the director incorporated any of his personal experiences into this movie at all, or if its entirely fabricated out of bits and pieces he's picked from other films.
Perhaps the saddest part of all is the fact that so many have given this movie a ten star rating. If Dan Glaser ever hopes to evolve as a filmmaker he'd do best to ignore these high scores, which have clearly been padded by his family and friends, and acknowledge his shortcomings as a storyteller. Once he does this and starts drawing from his own experiences, he'll hopefully be able to give us something worth watching.