The City may sound like any other violent, low-budget, action flick trying to live up to Scorsese or Tarantino. But a clever premise laced with smart subtext and wicked humor makes this a film worth seeing.
"I'd like people to walk away questioning what it is by their nature that makes them entertained by certain aspects of media," writer/director James Vogel says. "Why do we as an audience expect to see violence and sex in films, and why are we entertained by it?"
Vogel, and his co-writers and stars, Ezra Stead and Greg Hernandez, clearly put a lot of thought into the meaning behind the film's graphic images. Their story tells of a screen writing student who falls in love with a charismatic underworld figure while seeking experience to inform his scripts. The relationship between characters Scott and T.K., who get off on the violent acts they commit, is ripe with barely concealed undertones.
"There exists this kind of tension in gangster films, a homosexual subtext," Vogel says. "Characters who revel in violence are somewhat fascinated with each other."
Stead also points to the relationship between sex and violence. "Wanting to kill someone for the experience is like trying to lose your virginity," he says.
Vogel and Stead met as students at Minneapolis Community and Technical College. Vogel asked Stead to help him write the script and star in the film, and Stead suggested his friend Hernandez for the role of T.K. They shot the film in 16 days for a budget of $8,000.
Though pleased with their finished product, the filmmakers are also eager to hear negative responses. "It's a very personalized experience and a polarized reaction, and that's what interests me," Vogel says. Stead agrees. "We'd rather someone hate our film than just brush it off and forget about it," he adds.
"I'd like people to walk away questioning what it is by their nature that makes them entertained by certain aspects of media," writer/director James Vogel says. "Why do we as an audience expect to see violence and sex in films, and why are we entertained by it?"
Vogel, and his co-writers and stars, Ezra Stead and Greg Hernandez, clearly put a lot of thought into the meaning behind the film's graphic images. Their story tells of a screen writing student who falls in love with a charismatic underworld figure while seeking experience to inform his scripts. The relationship between characters Scott and T.K., who get off on the violent acts they commit, is ripe with barely concealed undertones.
"There exists this kind of tension in gangster films, a homosexual subtext," Vogel says. "Characters who revel in violence are somewhat fascinated with each other."
Stead also points to the relationship between sex and violence. "Wanting to kill someone for the experience is like trying to lose your virginity," he says.
Vogel and Stead met as students at Minneapolis Community and Technical College. Vogel asked Stead to help him write the script and star in the film, and Stead suggested his friend Hernandez for the role of T.K. They shot the film in 16 days for a budget of $8,000.
Though pleased with their finished product, the filmmakers are also eager to hear negative responses. "It's a very personalized experience and a polarized reaction, and that's what interests me," Vogel says. Stead agrees. "We'd rather someone hate our film than just brush it off and forget about it," he adds.